A Quote by Don Roff

Any conversation including the mention of Roald Dahl, Ray Bradbury, or Emily Dickinson is one worth getting into or at least eavesdropping. — © Don Roff
Any conversation including the mention of Roald Dahl, Ray Bradbury, or Emily Dickinson is one worth getting into or at least eavesdropping.
Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.
Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
A ton of Proust isn’t worth an ounce of Ray Bradbury.
I have been in love with Emily Dickinson's poetry since I was 13, and, like an anonymous post on findagrave.com says, 'Dear Emily - I hope I have understood.' Emily's poems are sometimes difficult, often abstract, on occasion flippant, but her mind is inside them.
No, I don't know any Emily Dickinson poems!
I love Roald Dahl.
The great thing about Roald Dahl is he tackled the big questions of life without any fear of being shocking or brutal, because he knew the kids could take it.
I read everything of Ray Bradbury when I was 12 or 13, and I think that's the most effective time to read Bradbury. He built such a moral world, where you have to make decisions and grow up.
I love Roald Dahl, Sharon Olds, Nizar Qabbani, who is a poet, and Junot Diaz.
I can remember exactly where I sat when my teacher first read Roald Dahl's 'James and the Giant Peach'.
If you go back to, say, the Brothers Grimm or Roald Dahl, you see so much darkness in children's material.
I'm the Emily Dickinson of screenplays.
I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better.
Ray Bradbury was the first author that I was really exposed to back in grade school. I'm a big Philip K. Dick fan, but the emotion and humanity that Bradbury brings to his stories and the way he uses sci-fi to get at the human heart is something that's unique and for me incredibly influential.
I grew up reading Stephen King, Peter Straub, Clive Barker, Robert McCammon, Isaac Asimov's nonfiction books, and Roald Dahl.
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