A Quote by Don Winslow

Well, if you're writing a thriller, you have to have your character in mortal jeopardy on page 1 or it's not a thriller. — © Don Winslow
Well, if you're writing a thriller, you have to have your character in mortal jeopardy on page 1 or it's not a thriller.
Even in a manuscript form, 'The Girl on the Train' sort of leapt off the pages as a contemporary suspense drama-slash-thriller. It has all the mechanics of a thriller, but at the heart of it was a great character study.
When I first started writing 'Still Missing,' I didn't actually realize I was writing a thriller. I thought it was more women's fiction, but during the many years of rewrites, I kept taking out the boring parts, and then my agent informed me that I had written a thriller.
I define 'social thriller' as thriller/horror movies where the ultimate villain is society.
This is not an international thriller so much as a fiercely literate attempt to subvert the thriller genre itself.
I have produced my first film titled 'BMW.' It is a thriller, which has been made keeping in mind the international audience and Indian as well. It is an intelligent thriller and well-made, which will hopefully be appreciated in the international circuit.
When I was a teenager, I used to watch the 'Making Michael Jackson's 'Thriller'' video and try to follow the steps and do the 'Thriller' moves in my bedroom. That was the most incredible dance sequence.
Since my romance novels had all been thrillers as well, it wasn't such a leap for me to move into the straight thriller genre. The most difficult part, I think, was being accepted as a thriller writer. Once you've written romance, unfortunately, critics will never stop calling you a 'former romance author.'
Political thriller? International thriller? Financial thriller? Whatever you call it, The Ascendant is smart, edgy, fast-paced storytelling at its best. Its unlikely hero, Garrett Reilly, reminded me of a young Jack Reacher as a tech-sa What I said: “Political thriller? International thriller? Financial thriller? Whatever you call it, The Ascendant is smart, edgy, fast-paced storytelling at its best. Its unlikely hero, Garrett Reilly, reminded me of a young Jack Reacher as a tech-savvy bond analyst. Drew Chapman is a debut novelist to watch.
For me, the social thriller is the thriller in which the fears, the horrors, and the thrills are coming from society. They're coming from the way humans interact.
A thriller must be thrilling. A mystery may or may not be a thriller depending on how much breathless emotion it has, as opposed to cerebral calculation.
I love thrillers. I've never made them, but I would say a really good thriller is my favorite kind of a movie. If I can get a really great thriller, you know.
Francois Truffaut's 'The Soft Skin' starts with a very mundane scene of a family and a man driving to the airport. Yet the music is like a thriller, and you don't understand why. It's not until later that you learn it's because the movie is a thriller.
He was one of the masters of the thriller and he really was one of the great signposts, because he took the spy thriller out of the gentility of the drawing room and into the back streets of Istanbul and where it all really happened, ... The Day of the Jackal.
It is unlike the quintessential thriller where someone is up to something and the audience is speculating. 'Johnny Gaddaar' is the opposite of a thriller. In this case, the audience knows right from the outset what transpires and who the likely culprit is. It is a suspense caper.
When I read Rush Limbaugh's 'The Way Things Ought to Be,' it was like a page-turning thriller to me. Every page was like some new revelation.
If you are writing a thriller with violence in it, the ending must be violent. You are delivering a promise to your reader.
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