A Quote by Don Winslow

Producing words isn't a problem for me. And I usually write two books at a time. When one horse gets winded, you jump on the other. — © Don Winslow
Producing words isn't a problem for me. And I usually write two books at a time. When one horse gets winded, you jump on the other.
Regency literature was too coal-y for me, too long-winded and describey. I preferred modern books where you had to read other books explaining what the first book meant to know what happened.
My books happen. They tend to blast in from nowhere, seize me by the throat, and howl 'Write me! Write me now!' But they rarely stand still long enough for me to see what and who they are, before they hurtle away again. And so I spend a lot of time running after them, like a thrown rider after an escaped horse, saying 'Wait for me! Wait for me!' and waving my notebook in the air.
My mother told me when I was a kid that each time we get to what feels like the edge of a cliff, we have two choices: to turn around and run, or to jump. I have learned over time to jump - and though it is scary, I know somewhere inside me that I will be caught.
I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I'd print that out. When it was time to write a song, I'd go through the pages and sing melodies to words that moved me.
Words, words, words, a million million words circle in my head like hawks, waiting to dive onto the page to rend and tear the only two words I want to write. Why me?
I taught elementary school and painted apartments for ten years. Now I write full-time and never have to change a thing I write. Every book comes to me in a flash of inspiration and takes me about two seconds to finish. The longer books, like the 'Time Warp Trio' novels, take a little longer to write - more like four seconds.
I taught elementary school and painted apartments for ten years. Now I write full-time and never have to change a thing I write. Every book comes to me in a flash of inspiration and takes me about two seconds to finish. The longer books, like the Time Warp Trio novels, take a little longer to write - more like four seconds.
I don't write huge books any more. I used to write 1,000 printed pages, but now I write short books. I did one on Napoleon, 50,000 words - enjoyed doing that. He was a baddie. I did one on Churchill, which was a bestseller in New York, I'm glad to say. 50,000 words. He was a goodie.
I write poems for myself and I write poetry that gets torn apart and becomes songs. I have a lot of respect for words, the power of words.
I used to ride horses and I remember one day I was working with a horse and we were having it jump, you know? There was a competition and so we were doing a test run and the horse fell on top of my body. I was a kid, like 7 years old. It took them a long time to take the horse off of my body after it had fallen.
Writers are troubled about finding time to write and writer's block and publicizing books that aren't books yet. They agonize over how to write and what to write and what not to write.
Most writers write too much. I have the exact opposite problem. I feel I could write almost anything in a paragraph. I have a natural ability to condense, and so I often think, "Are you kidding me? Five thousand words? How am I gonna make 5,000 words out of that?"
For myself, I haven't been content to carry on producing books that merely strain against the conventions - as I've grown older, and realised that there aren't that many books left for me to write, so I've become determined that they should be the fictive equivalent of ripping the damn corset off altogether and chucking it on the fire.
I shall be so glad if you will tell me what to read. I have been looking into all the books in the library at Offendene, but there is nothing readable. The leaves all stick together and smell musty. I wish I could write books to amuse myself, as you can! How delightful it must be to write books after one's own taste instead of reading other people's! Home-made books must be so nice.
My musical instrument is Hebrew and, to me, this is the most important fact about my writing. I write in words. I don write in sounds or in shapes or in flavors. I write in words. And my words are Hebrew words.
Heights are a problem for me. I'm not a brave flier and I'd never jump out of a plane or do a bungee jump.
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