A Quote by Donal Logue
There was something about that form of comedy that's just difficult. It never really felt like you could just fully commit to all the colors that you carry with you.
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Being someone that grew up in a biracial household I never really felt accepted by black people when I was a little kid, I didn't feel fully accepted by black kids and I definitely didn't feel fully accepted by white kids cause I just felt like I could never be neither one.
The early days were really difficult because it was constant no's, I didn't have an agent. I always knew that I had something to offer, but it just felt like I could never get someone to give me a chance.
I can almost see the music. It comes in the form of colors - colors jump out at me, and that translates into notes. They come fully formed: the orchestration parts, not just the melodies. Even though they're not always the right ones to use, the initial idea comes like that.
Here's the thing, with comedy - and I learned this from Will Ferrell - you can't be ashamed. If you're doing comedy, you have to fully commit to the joke. Shame is not part of it. If you act shy or uncomfortable about your body, that makes the audience shy and uncomfortable. And in a comedy you just want them to loosen up and laugh.
Just never really got into cars and flossin' or never really cared, like I was always the type of person that felt like as long as I make enough money to support my family with this music that's all I really care about. You know what I mean so I don't really buy, I'm just not into like that many material possessions and stuff like that, because at the end of the day, it's just not that important.
The timing of comedy is so difficult. You've got to leave room for a laugh, you don't want to kill the laugh, but on film, you can't just suddenly stop for a laugh and then carry on. So, I think it's a real art form, comedy on film.
I'm hugely inspired by the '60s and the '70s. I just love the music of that time and the overall freedom of that era. I love that the idea of clashing didn't really exist. You could mix prints on prints, you could mix fabrics and colors - and it was more about the way you felt than about the label and trends. That's something that I've always gravitated towards.
Being in New York, and meeting really amazing, talented, eccentric, and bold people, and just feeling really excited about life, got me really revved up and I just felt like everything was at my fingertips - that I could try anything. I really felt invincible. It was such a shift.
I did a show in Germany, and some kid - he was disabled - he was actually in a wheelchair, and he came out to my show, and he couldn't get across to me what he was trying to say, and you could see that he was frustrated because he couldn't fully express himself, and I just felt like, 'Wow, he's just really passionate about me.'
I feel like I was born to do this... I started working professionally as soon as I could, doing weddings and things like that in high school, while everyone else was having keg parties. I just felt destined to do it and really committed and driven; it was something that just felt right all my life.
'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.
I've always wanted to do action stuff. I like it. You really want something that's special; that's got something special about it and not cheesy, I guess. I'll tell you something, it's fun, it's different. Comedy is difficult. Doing comedy is very difficult. Action stuff is fun.
I started working professionally as soon as I could, doing weddings and things like that in high school, while everyone else was having keg parties. I just felt destined to do it and really committed and driven; it was something that just felt right all my life.
I knew I just loved comedy, and I think it was my parents who initially brought up the notion of me trying to do stand-up. I think I actually tried writing jokes just at home, just kind of sitting around. But it seemed like a very real way to step into the world of comedy. I felt I could do it, so why not?
What happened was, in my final year of university in Australia, there was a campus comedy competition, and I felt like it was something I could do. I won that competition, and I kept doing it, and I couldn't get a job in law. So I just kept doing comedy.
I really struggled with doing nine-to-five and just wanted to do something where it felt like I was in charge and I was doing something creative. I imagine if the first gig had gone badly I'd never have done it again. I imagine there's hundreds of people who could have been really great comedians and just had a bad first gig.
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