A Quote by Donal Logue

It's nice to be in a world where you're not going to exhaust storylines with potential villains. — © Donal Logue
It's nice to be in a world where you're not going to exhaust storylines with potential villains.
I'd always thought that if Python was going to go on at all, it'd be nice to get into storylines.
Villains never know they are villains in a picture so I play this like I'm the nicest guy in the world.
A lot of people seem nice when you first meet them. Then later you find out that they are evil villains who plan to take over the world.
I'm going to show everyone my real potential and I know I have the potential to be the best in the world.
There weren't any villains though. The world was just complicated in various ways, and there weren't any obvious villains to be found. It was excruciating.
The thing about villains is that villains always have their own logic, and they don't necessarily see themselves as villains. Richelieu is not a villain, in his own mind. He's doing what he needs to do.
I've had a couple of storylines in the past that have never been done by a soap before, which is nice.
Pay-per-views bring conclusion to storylines and what has been going on from television. It is important to give viewers satisfactory pay off over storylines and that is why pay-per-views are important.
The other thing is we have an incredible villain. And we worked very hard to have villains that are connected to the hero. They have an effect, an emotional effect. They never become out-of-this-world, crazy villains.
There's jerks, and there's villains. Villains, I think, are very aware of who they are and what they're doing and their effect on the world. Jerks tend to think they're great guys.
Villains are far more interesting to play than nice people.
I believe that every person, male and female, needs to be in a protective mode at all times of alertness to potential danger. The world is full of potential attacks, potential disasters.
I'm very opinionated, and when you're put in a position where you're getting the storylines that are not necessarily what's cranking at the back of your mind, or digging at the potential of your character and you have to sit on your hands, that's frustrating.
I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.
It is important to exhaust the potential of existing markets. But it is equally important to open up new markets.
I've found that the people who play villains are the nicest people in the world, and people who play heroes are jerks. It's like people who play villains work out all their problems on screen, and then they're just really wonderful people.
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