A Quote by Donald Barthelme
The not-knowing is crucial to art, is what permits art to be made. Without the scanning process engendered by not-knowing, without the possibility of having the mind move in unanticipated directions, there would be no invention.
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One of the pleasures of art is that it enables the mind to move in unanticipated directions, to make connections that may be in some sense errors but are fruitful nonetheless.
Genius is neither learned nor acquired. It is knowing without experience. It is risking without fear of failure. It is perception without touch. It is understanding without research. It is certainty without proof. It is ability without practice. It is invention without limitations. It is imagination without boundaries. It is creativity without constraints. It is...extraordinary intelligence!
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
The spider dances her web without knowing there are flies that will get caught in it. The fly, dancing nonchalantly on a sunbeam gets caught without knowing what lies in store. But through both of them "It" dances. So, too, the archer hits the target without having aimed-more I cannot say.
We've reached a point where we are not a very empathetic people, and art without empathy is art without an audience. My basic viewpoint is that without art we're alone.
Right now you can allow yourself to experience a very simple sense of not knowing - not knowing what or who you are, not knowing what this moment is, not knowing anything. If you give yourself this gift of not knowing and you follow it, a vast spaciousness and mysterious openness dawns within you. Relaxing into not knowing is almost like surrendering into a big, comfortable chair; you just fall into a field of possibility.
Without knowing about flexibility, one cannot work out strategies to deal with the enemy and prepare for changes, and without knowing about the foundation of one's own culture, one would be contemptuous of the Confucian ethical codes.
Life is about not knowing, having to change, taking the moment and making the best of it, without knowing what's going to happen next.
As the art of reading (after a certain stage in one's education) isthe art of skipping, so the art of being wise is the art of knowing what to overlook.
The art of living is the art of knowing how to believe lies. The fearful thing about it is that, not knowing what truth may be, we can still recognize lies.
One of the crucial underpinnings of New York as a culture capital is that there are multiple markets. There is not just one art gallery district, there are several art gallery districts. I feel that there should be art galleries and art studios in every neighborhood without exception. They should be integrated into the social and physical fabric of the streets. If we want a lively city, we can't just have high towers and dense constructions, we have to have living organisms of streets and neighborhoods. And the arts are a crucial part of that.
To write a good love letter, you ought to begin without knowing what you mean to say, and to finish without knowing what you have written.
To despise theory is to have the excessively vain pretension to do without knowing what one does, and to speak without knowing what one says.
Much of the art of the 1960s, from body art to video and direct performance, was concerned with similar issues. And then there was media art, which made it possible to express things directly, without having to rely on the written word, which was manipulated by men.
The baby looks at things all day without winking; that is because his eyes are not focused on any particular object. He goes without knowing where he is going, and stops without knowing what he is doing. He merges himself within the surroundings and moves along with it. These are the principles of mental hygiene.
If you think about it enough to have a really articulate answer, you're not doing it right. That's how I feel about art. If your thought process could take you to knowing exactly what you're doing and why, there would be no point in making the art. It would become like propaganda. It's more nebulous than that.
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