A Quote by Donald E. Westlake

The thing that I prefer, when I'm working on a book, is to do a seven-day week, because it's easy to lose some of the details of what you're doing along the way. — © Donald E. Westlake
The thing that I prefer, when I'm working on a book, is to do a seven-day week, because it's easy to lose some of the details of what you're doing along the way.
I'm a big cardio guy. I love spinning, and I do that seven to eight times a week because I have time. What else am I going to do? I don't have a hobby. I don't play golf; I don't restore cars; and I don't have a fixer-upper house that I'm working on. So basically, my day is built around just working out. That's what I enjoy doing.
Before I got hurt, I was on the road five days a week and then I'd come home for a day and a half. And some of those times, I'd be filming Total Divas, so at some point I was working seven days a week, which I was cool. I loved it.
I can do a book in three months if I spend all day, seven days a week at it and, in fact, I work better that way.
I usually work seven days a week and rarely take vacations, which is both lame and unsustainable. I don't mind the idea of writing seven days a week, I suppose. Getting some work done early in the morning. But ideally I would love to take one day a week off.
I have to do what I'm doing at the time. That's the most important thing. You might lose some people along the way, and you might gain other people on the way, that's just the way it is. But nevertheless, if you're driven by something, there is no argument about it; that's what you have to do.
Writing a book is about me doing the work to get from the obsessive particular to something that reaches out of that in some meaningful way. It doesn't come easy to me. I really admire people who do it with acuity, but I don't, and for me it takes the process of working on a book for years to do any thinking that I feel accomplishes anything. I don't do it off the cuff well.
I think that technology is the best thing that ever happened to mankind. It's an absurd notion that somehow, 'My God, what are we going to do when driverless cars come along?' It's going to save lives on the road. And maybe, one day, we'll all be working four days a week and not five or six days a week.
I'm pretty much working 24 hours a day, seven days a week.
Enthusiasm is big. When I write a book, it's a three-year commitment. Toward the end, I'm writing seven days a week, and it's exhausting but thrilling. The only hope is to have some real enthusiasm for the book. ... Above all, you need some strong emotional or personal connection to your material.
The extent to which we live from day to day, from week to week, intent on details and oblivious to larger presences, is a gauge of our impoverishment in time.
On an animated movie, I'm learning as I go. There are so many details in animation. Doing the voices was the easy-part. Doing live-action, you have to be on the set, every day.
With any level of success you get some non-musical things that come along - money, ego - and it's easy to lose your perspective and get off doing what you did to get there.
I'm doing the best I can with the ravages of time on my body and I'm a work in progress. I can't write a memoir because I can't do it this week or next week... I try to be an inspiration to the young to respect their older people; we can't stay the same, but we do the best we can with what's left. You can't whine about stuff, you have to learn to eat humble pie along the way and keep going, because the alternative is going to happen.
I worked for twenty-some years with no capital, so I never had any liquidity. Managing my loans alone wouldn't do it, and working hard twenty-four hours a day seven days a week alone wouldn't do it. You have to be properly capitalized.
The irony is that I use computers every day of my life to do music because I edit all of my music in a computer. But when it comes to doing live processing, I prefer, as a performer with an instrument, not just having the computer as the only thing I have. I really prefer and find it much more flexible to have the limitations of pedals.
I myself am doing a full year of experiments every seven years, but I'm sure many other divisions are possible, depending on the field, the possibilities, and personal preferences. One hour a day or a day a week.
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