A Quote by Donald Hall
But Blake's voices returned to dictate revisions.
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There are days when the result is so bad that no fewer than five revisions are required. In contrast, when I'm greatly inspired, only four revisions are needed.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
In a play, you dictate pace, you dictate rhythm, you dictate when people look at you, when people should be looking at something else. In film, the editor does that.
I think over the course of 14 films, I'm returning to a place that I know to tell a story... the same way Spielberg returned to fantasy, Lucas returned to the 'Star Wars' saga, or John Ford returned to the western.
Perriwickturned to Penelope as he set the tray down on a table. "If I might be so bold, my lady-" "Perriwick!" Blake roared. "If I hear the phrase 'if I might be so bold' one more time, as God is my witness, I'm going to toss you into the channel!" "Oh dear," Penelope said. "Perhaps he does have the fever, after all.Perriwick , what do you think?" The butler reached for Blake's forehead, only to have his hand nearly bitten off. "Touch me and die," Blake snarled.
There's a lot of magic in voices. I love voices that are very old, very gravelly, very deep. I like metallic voices; I like velvety voices. The voices of children.
If any difference should be made by law between husband and wife, reason, justice and humanity, if their voices were heard, would dictate that it should be in her favor.
Roald Dahl worked with other illustrators, but it was only when he teamed up with Quentin Blake that the chemistry began to fizz. Quentin Blake is Britain's greatest living illustrator and has that special talent all the great illustrators have, of unobtrusive brilliance.
In a thousand voices singing the Hallelujah Chorus in Handel's "Messiah," it is possible to distinguish the leading voices, but the differences of training and cultivation between them and the voices in the chorus, are lost in the unity of purpose and in the fact that they are all human voices lifted by a high motive.
In this age of censorship, I mourn the loss of books that will never be written, I mourn the voices that will be silenced-writers' voices, teachers' voices, students' voices-and all because of fear.
I sang 'O Holy Night' with the Vatican orchestra, but also a Blake - a lullaby that William Blake wrote for the Christ child, and I set it to music, and the Vatican orchestra played the music.
The first artist that did it for me with just production was James Blake... I was just blown away... I feel like James Blake kind of was the one that introduced me into that world.
Particularly in television, we can stereotype ourselves. You realize that we all have a lot of voices in our head. We have angry voices, we have voices of doubt, and we have moments of strength.
I don't dictate, you don't dictate to Stevie Wonder, not successfully.
I don't dictate the solos and I don't dictate the vocal harmonies.
It is pleasant to notice that the harmony between the naturalists and officers of the "Blake" was not for an instant disturbed during the time they were working in common. Everything in the way of naval routine was sacrificed for the time to the objects of the cruise, and the appearance of the deck and bow of the Blake was often more that of a mud-scow than of a vessel in the service of the United States.
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