A Quote by Donald Hall
New poems no longer come to me with their prodigies of metaphor and assonance. Prose endures. I feel the circles grow smaller, and old age is a ceremony of losses, which is, on the whole, preferable to dying at forty-seven or fifty-two.
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You’re just the romantic age,” she continued- “fifty. Twenty-five is too worldly wise; thirty is apt to be pale from overwork; forty is the age of long stories that take a whole cigar to tell; sixty is- oh, sixty is too near seventy; but fifty is the mellow age. I love fifty.” - Hildegarde
You grow a whole lot more as a writer by getting old stories out of the house and letting new ones come in and live with you until they grow up and are ready to go. Don't let the old ones stay there and grow fat and cranky and eat all the food out of the refrigerator. You have dozens of generations of stories inside you, but the only way to make room for the new ones is to write the old ones and mail them off.
Fifty is the new forty. I always thought my best work would come in the years forty to sixty, if I was fortunate enough to hang around - and it is hard to stick around.
I've been working on a collection of prose vignettes about girls I've had crushes on, from the age of six to the age of eighteen. This manuscript is thematic and organized in a way my poems about my friends aren't. My friends get into the poems simply because they mean a lot to me.
I do feel that now and I feel that this development of recording poems, of speaking poems at readings, of having records of poets, I think this is a wonderful thing. I'm very excited by it. In a sense, there's a return, isn't there, to the old role of the poet, which was to speak to a group of people, to come across.
If you don't begin to be a revolutionist at the age of twenty, then at fifty you will be a most impossible old fossil. If you area red revolutionary at the age of twenty, you have some chance of being up-to-date when you are forty!
The truth is, part of me is every age. I’m a three-year-old, I’m a five-year-old, I’m a thirty-seven-year-old, I’m a fifty-year-old. I’ve been through all of them, and I know what it’s like. I delight in being a child when it’s appropriate to be a child. I delight in being a wise old man when it’s appropriate to be a wise old man. Think of all I can be! I am every age, up to my own.
I'd rather call prose poems something else, for clarity - something like "poetic prose," prose that contains a quality of poetry, but not poems.
At fifty you realize that you are no longer a kid. I ignored forty. It was like I was almost at middle age. Maybe it's the baby boomer thing. But undeniably, I am a man. I have to accept [mortality].
In high school, in 1956, at the age of sixteen, we were not taught "creative writing." We were taught literature and grammar. So no one ever told me I couldn't write both prose and poetry, and I started out writing all the things I still write: poetry, prose fiction - which took me longer to get published - and non-fiction prose.
You heard people say forty was the new thirty and fifty was the new forty and sixty was the new forty-five, but you never heard anybody say eighty was the new anything. Eighty was just eighty.
[D]on't grow old. With age comes caution, which is another name for cowardice.... Whatever else you do in life, don't cultivate a conscience. Without a conscience a man may never be said to grow old. This is an age of very old young men.
Forty is the old age of youth; fifty the youth of old age.
Forty is the old age of youth, fifty is the youth of old age.
I’ve come in and out of America for… well, I’ve lived here for 15 years. And I’ve played here for nearly 30 years. On and off. But I’ve always played to my fan base. And I can come and do two or three nights in New York or two or three nights in L.A., and all that. But when I go away, nobody knows I’ve been gone. You know, I don’t get reviewed or anything like that. So that’s why I’ve come back and done a longer time in a smaller place, in New York. It’s always the people who live here that get a chance to know me.
I feel like I've lived two or three completely different lives. At 33, I'm quite reflective and have the perspective you get in your old age when you have been through the losses of life.
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