A Quote by Donald Judd

It isn't necessary for a work to have a lot of things to look at, to compare, to analyze one by one, to contemplate. The thing as a whole, its quality whole, is what is interesting. The main things are alone and are more intense, clear and powerful.
I spent half my life without the internet, it was pretty much the same thing just a whole lot slower and a whole lot more intense!
One is necessary, one is a piece of fate, one belongs to the whole, one is the whole - there exists nothing which could judge, measure, compare, condemn our being, for that would be to judge, measure, compare, condemn the whole...But nothing exists apart from the whole!
It took me a long time to figure out that I didn't have to do everything, that it was actually a lot more helpful if I did a couple things really, really well than a whole bunch of things really badly, or nothing at all, because the whole thing was overwhelming.
Any object not interesting in itself may become interesting through becoming associated with an object in which an interest already exists. The two associated objects grow, as it were, together; the interesting portion sheds its quality over the whole; and thus things not interesting in their own right borrow an interest which becomes as real and as strong as that of any natively interesting thing.
The revolution is here. It's established that Netflix is a place where you can get premium content. It's a whole new world. It's very interesting. We'll be discovering it together. It's going to be interesting because they don't have a lot to compare it to.
To observe the world carefully, to write a lot and often, on a schedule if necessary, to use the dictionary a lot, to look up word origins, to analyze closely the work of writers you admire, to read not only contemporaries but writers of the past, to learn at least one foreign language, to live an interesting life outside of writing.
I have an idea of a set of colors and see what I have. A lot of things, the best, more magical things in the paintings just sort of happen. They aren't things I thought of in advance. They are more things I am given. What paint does, in watercolor more than oil but it happens in oil too, are things one never expects if you work freely. I suppose I learned a lot coming to this after years of playing improvisational music. I have to trust my intuition and I work in the moment, when that moment seems to be happening. And to leave it alone when it is not.
I don't watch a whole lot of stand up. Mainly I prefer to read writers; they make me laugh the most. Something gets you when you're alone and someone's voice is coming through their work. There's a different quality to it that stays with you a bit more.
I've got a lot of opportunities, a lot of love in my life, a lot of things going for me. Still, it's not complete. I know this is not the whole thing. There's much more.
I think when you have kids, it definitely makes you look at things from a different perspective, but I think that the biggest thing it's done is it's made me look at things from a different perspective from a professional standpoint in how you analyze things and how you look at things and how you react to things.
I dont watch a whole lot of stand up. Mainly I prefer to read writers; they make me laugh the most. Something gets you when youre alone and someones voice is coming through their work. Theres a different quality to it that stays with you a bit more.
Constantly contemplate the whole of time and the whole of substance, and consider that all individual things as to substance are a grain of a fig, and as to time the turning of a gimlet .
We can only know one thing about God - that he is what we are not. Our wretchedness alone is an image of this. The more we contemplate it, the more we contemplate him.
If things are too easy, life is a whole lot less interesting.
I think George just nailed the whole thing, the whole time period, the whole look and feel of what that newsroom was like. I did a lot of research for the role and believe me, it's all pretty genuine, down to the very last cigarette butt.
A lot of times, the inspiration for a novel is a messy bird's nest of shiny things. Little things that don't make a whole lot of sense or that, no matter how hard you look, cannot be found directly in the finished book.
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