A Quote by Donald Judd
I recognize very much in Hopper that it does look like the United States; it looks like the 30's and my first impressions of everything, all of which I have to deal with and which gets mixed up in my work and probably gets mixed up in everybody else's work too.
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Everyone is so estranged; no one is rooted. That's what I like to write about more than anything else. Everything being so mixed up. Racially mixed up, people moving from place to place, everything shifting.
I'd love to work on something that gets some type of critical respect. This business is sometimes so brutal - you work on something for months and really feel like the project is good and you're doing the best work you can, and then it just gets hammered by critics. It's such a bummer sometimes, because everything seems to build up to the release and a couple of bad reviews can make it seem like it was all a waste, which you know it wasn't.
Because when you have all white men in the writers' room trying to tell the perspective of cultural appropriation or what it's like to be black or Asian in America and not necessarily knowing what it's like, that's when everything gets mixed up.
I represent the mixed race community, which I think gets left out a lot. I always describe myself as being mixed race.
They just hate it when people make love. And then they'll go to a fistfight where somebody's really hurt and all covered with bloodand they'll just love that. Or a war and stuff like that. They're all mixed up and they're trying to take it out on you so you get mixed up too.
New York is about as cosmopolitan as it gets. It's a fairly mixed and woke town, so there weren't a lot of situations growing up where I felt like the outsider or the alien.
The United States has the most sophisticated financial markets in the world, which does not leave much room to maneuver. But it also offers investors the greatest access to information and the ability to execute trades quickly and efficiently. So it is a mixed bag of opportunity.
You're trying to grow up, and you don't want to be like your parents, and that gets mixed up with being Korean... They brought their values from Korea, and I accepted them because I didn't know anything more. But as I grow older, I feel more Korean every year; it's very strange.
...people like to say things like 'all work is prostitution'. Most work is exploitation, but most work is not prostitution. Prostitution is prostitution, a very specific sort of exploitation... And while I am doing literal corrections to flippant turns of phrase, the earth doesn't get raped. It gets mined and poisoned and blown up and depleted, it gets ruined, but it doesn't get raped.
A weird sort of awareness set in, like, 'Wow. My stand-up isn't just separate from everything else I do anymore.' With Twitter and Face book, everything is universal that everything everybody says gets seen.
You see, the Mets are losers, just like nearly everybody else in life. This is the team for the cab driver who gets held up and the guy who loses out on a promotion because he didn't maneuver himself to lunch with the boss enough. It is the team for every guy who has to get out of bed in the morning and go to work for short money on a job he does not like. The Yankees? Who does well enough to root for them, Laurence Rockefeller?
Art is what gets communicated at a live show, which is why live shows are so amazing. To communicate in a different way is a mixed message. It devalues everything.
We are a mixed up people. We have mixed up ways of naming, too... When my father's brothers and sisters first went to colonial schools, they had to produce a surname. They also had to show they were good Christians by adopting a western name. They adopted my grandfather's name as surname. Wainaina.
Quite often, and in fact more often, I would say, I'm struggling all the way through to think, "What is it I like about this? What is the personality of this thing I'm hearing that I like so much?" And it's nearly always a sort of mixed emotion, which is why I like it. It's something that I have mixed feelings about in the sense that it's both, say, placid and dangerous, or bitter and sweet, or dark and bright.
There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.
You work on an idea, your first interpretation is very raw and you work it and you work it and it gets polished and polished. It gets to a certain level and then it comes down off that peak.
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