Clanless, lawless, homeless is he who is in love with civil war, that brutal ferocious thing.
I always say that characters must drive plots, never the reverse. Writing about large-scale events creates the risk that the scope of the events themselves can overwhelm the characters. I emphatically do not want that. That was the only trepidation I felt when I started 'The Twilight War.'
Well, the thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human.
One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out.
I have been challenged with the fictional languages I have to learn. I wasn't terrible at languages at school - I got an A in French, so I did well enough - but I didn't enjoy them. I'm not even sure if that plays into how well you learn a fictional language!
I don't think there is a fictional character who resembles me because fictional characters are not real!
Essentially and most simply put, plot is what the characters do to deal with the situation they are in. It is a logical sequence of events that grow from an initial incident that alters the status quo of the characters.
I quote fictional characters, because I'm a fictional character myself!
No one is immune from the larger events of his or her time - the Depression, World War II, civil rights, Vietnam, the spring of 1989 in China. These events intrude upon our lives and radically affect our directions.
When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.
While I've been well-known for trying to keep my fictional characters individual in their looks, it's an even greater challenge not only to make them individual but also identifiable.
And if there was one title that could be applied to all my films, it would be 'Civil War' - not civil war in the way we know it, but the daily war that goes on between us all.
In 1961, an official U.S. commission oversaw thousands of events to celebrate the 100th anniversary of the American Civil War. All 50 states joined in, but not surprisingly, the biggest events took place in the 11 southern states that made up the defeated Confederacy.
Writers write because they cannot allow the characters that inhabit them to suffocate them. These characters want to get out, to breathe fresh air and partake of the wine of friendship; were they to remain locked in, they would forcibly break down the walls. It is they who force the writer to tell their stories.
The question of what actually caused the Civil War is secondary to the result of the Civil War, which is that after the war was over, slavery was ended, and the North and the South reconciled. And I think we need to respect that.
I may as well tell you, here and now, that if you are going about the place thinking things pretty, you will never make a modern poet. Be poignant, man, be poignant!