A Quote by Donald Miller

True intimacy, the exchange of affection between two people who are not lying, is transforming. — © Donald Miller
True intimacy, the exchange of affection between two people who are not lying, is transforming.
Religion consists much in holy affection; but those exercises of affection which are most distinguishing of true religion are these practical exercises. Friendship between earthly friends consists much in affection; but those strong exercises of affection that actually carry them through fire and water for each other are the highest evidences of true friendship.
You can't measure the mutual affection of two human beings by the number of words they exchange.
Lying is a deliberate choice to mislead a target without giving any notification of the intent to do so. There are two major forms of lying: concealment, leaving out true information; and falsification, or presenting false information as if it were true.
There's a kind of intimacy that can happen between musicians, and if they're people you enjoy and respect as humans, that intimacy is a real privilege.
The first great real intimacy between two people begins when secrets are told.
In the early days of Christianity the exercise of chastity was frequently combined with a close and romantic intimacy of affection between the sexes which shocked austere moralists.
Marriage is a way to avoid intimacy. It is a trick to create a formal relationship. Intimacy is informal. If a marriage arises out of intimacy it is beautiful but if you are hoping that intimacy will arise out of marriage, you are hoping in vain. Of course, I know that many people, millions of people, have settled for marriage rather than for intimacy - because intimacy is growth and it is painful.
Novelists lie for a living - what is a novel, after all, but an assembly of fibs paradoxically meant to illustrate something true? - but generally see a distinction between lying on the page and lying off it.
When we are young and again when we are old, we depend heavily on the affection of others. Between these stages we usually feel that we can do everything without help from others and that other people's affection is simply not important. But at this stage I think it is very important to keep deep human affection.
I think that musicians should never forget about the intimacy of bringing two people together, and the aesthetic transference where you're almost vicariously involved in a romance between other people.
And what fastens attention, in the intercourse of life, like any passage betraying affection between two parties? Perhaps we never saw them before, and never shall meet them again. But we see them exchange a glance, or betray a deep emotion, and we are no longer strangers. We understand them, and take the warmest interest in the development of the romance. All mankind love a lover.
Do not allow yourself to be imprisoned by any affection. Keep your solitude. The day, if it ever comes, when you are given true affection, there will be no opposition between interior solitude and friendship, quite the reverse. It is even by this infallible sigh that you will recognize it.
In this play we're dealing with relative truths - who's lying, who's telling the truth. But underneath that, Ed and I have hit this deeper level of intimacy between old friends that comes out in the play.
Love is often nothing but a favorable exchange between two people who get the most of what they can expect, considering their value on the personality market.
There is no intimacy like that between two women who have chosen to be sisters.
There is not true intimacy between souls who do not know how to respect one another's solitude.
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