A Quote by Donald O'Connor

I can picture things, like a painter would, though Im not good at painting, either. — © Donald O'Connor
I can picture things, like a painter would, though Im not good at painting, either.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting. Like finding some imaginary computer painter, or a robot who paints.
Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting.
Im like the painter with his nose to the canvas, fussing over details. Gazing from a distance, the reader sees the big picture.
Before a painter puts a brush to his canvas, he sees his picture mentally.... If you think of yourself in terms of a painting, what do you see?... Is the picture one you think worth painting?... You create yourself in the image you hold in your mind.
Im 48 now and I would like to have another baby. I would love to because of all the things I have learned. It would be like starting all over again. But am I too old? Im young at heart and I would be different this time round.
Comedy is the one absolutely self-aware art form. Actually, hip-hop's another one, I suppose. Because in your songs you're talking about how good a hip-hop artist you are. It's like a painter painting a panting of himself painting a painting.
It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
Were it not for this [dissatisfaction], the perfect painting might be painted, on the completion of which the painter could retire. It is this great insufficiency that drives him on. The process of creation becomes necessary to the painter perhaps more than it is in the picture. The process is in fact habit-forming.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting.
If one were to ask a painter what he felt about anything, his just response - though he seldom makes it - would be to paint it, and in painting, to find out.
When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out.
Even though the stuff Im doing right now is relatively easy, I think in the future I would love to play things that have nothing to do with me and thats good.
Every good picture leaves the painter eager to start again, unsatisfied, inspired by the rich mine in which he is working, hoping for more energy, more vitality, more time - condemned to painting for life.
Im doing pretty good as far as geniuses go ... Im like a machine. Im a robot. You cannot offend a robot ... Im going down as a legend, whether or not you like me or not. I am the new Jim Morrison. I am the new Kurt Cobain ... The Bible had 20, 30, 40, 50 characters in it. You dont think that I would be one of the characters of todays modern Bible?
Painting can also be too earnest at times and that's a drag. You don't want to go in that direction either. It should be holistic. It should represent the whole of your personality, I guess, so if somebody is a sincere painter or an ironic painter, then they're just bullshitting the audience and presenting only an idealized version of themselves.
Because Guillermo's [del Toro] obviously a painter painting a picture and my job is just to provide the color that he probably already has in his mind.
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