A Quote by Donald Pleasence

Continental directors, as opposed to British and American, tend to be somewhat high-handed in their approach. — © Donald Pleasence
Continental directors, as opposed to British and American, tend to be somewhat high-handed in their approach.
My Daddy was left-handed, and I was left-handed when I was little. In fact, I was left-handed all the way to high school. Then I switched over to right-handed cause I wanted to play shortstop.
I don't think I have advice for female directors as opposed to male directors. I think all first-time directors should try and be as prepared as they possibly can, because it's hard!
British audiences tend to want to see their own lives reflected on TV, whereas American audiences are quite aspirational and enjoy high-concept shows that show them lives that are perhaps slightly more exciting than they aspire to.
American audiences tend to be more expressive than British ones.
I think there's a quality of passion to the American actor. I'm certainly attracted to it, and I like to hope that underscoring it is a characteristic of my work. That quality is certainly also present in some British actors, but I tend to feel the mechanical and intellectual process is dominant in the British.
I don't tend to watch too many American comedies. I love British comedy.
There are actually quite high profile British TV star cameos in it that you probably wouldn't even notice, that the British wouldn't even notice, let alone the American audience.
I think I've actually benefited from Australia being a kind of combination of both British and American culture. We kind of got the best of both British and American television and books, science fiction and fantasy, and so on. So I'm familiar with a lot of, for example, American books and television that a British author of my generation might not be.
The idea that American producers and directors are choosing black British talent to save themselves a buck or two is ridiculous - it's because we're damn good.
The people who tend to raise antiwar slogans will do so generally when it's American or British interests involved.
I don't want to rescind American directors but I think that European directors in general, because of the size of the nations in Europe are exposed to all different cultures, they can easily travel from one distinct culture to another in a matter of hours - you can drive for two weeks across the United States and you're in the same basic culture - so there is a certain breadth of understanding and sophistication that they bring to it and frankly, in some cases they are less expensive than American directors.
America has had an influence on me, as has going out with a Cuban-American guy and having lots of American friends. But I am still fundamentally British and speak with a British accent and feel very English.
I find respect for a mediocre British composer, as opposed to a really good American, ridiculous because they automatically respect a composer if he's from England.
I have ever been opposed to banks, - opposed to internal improvements by the general government, - opposed to distribution of public lands among the states, - opposed to taking the power from the hands of the people, - opposed to special monopolies, - opposed to a protective tariff, - opposed to a latitudinal construction of the constitution, - opposed to slavery agitation and disunion. This is my democracy. Point to a single act of my public career not in keeping with these principles.
I have no idea what a British sensibility or a British sense of humor is. I have no concept of what that is. I have no concept of what American sensibility is. I was born in Great Britain, but I was only there for six months, and we moved to Belgium, where I grew up. I love Britain, I lived there for nine years doing shows and things, but I don't know what a British sensibility is. I'd like to have someone tell me what an American sensibility is.
Yeah, I definitely tend towards dry, sarcastic British humor. I actually aspire to be British - I'm pasty white as well.
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