A Quote by Donald Pleasence
All the real work is done in the rehearsal period.
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On movies, I like to involve the cast in the writing of the script. I like to have a rehearsal period, after which I do the last draft, which gives me a chance to incorporate anything the actors have come up with during the rehearsal period, so I'm very inclusive as a writer.
When you're young and starting out, the big hurdle is to relax enough in rehearsal so that you don't feel intimidated. The more work you've done, the more you can experiment in rehearsal and not have to worry about getting the sack.
I think rehearsal can be important if it's done in a way that works. Often, rehearsal can be a waste of time.
When we are busy at work and busy at home, an hour's walking every day becomes a real luxury. If done alone, the walk injects a period of meditation into the day, and if done in company, it allows space for some really good conversation.
This work of connecting our light to the world does not need to be done through a mass movement, or by millions of people. . . .The real work is always done by a small number of individuals. What matters is the level of participation: whether we dare to make a real commitment to the work of the soul.
I usually arrive at the first rehearsal with a vague memory of most of it. But the real work happens in rehearsal, oddly enough, because what happens is that you match the words to the movement, and once you know where you're moving, then the words that accompany that movement become not locked into your mind and your brain and your whole body.
I always thought that art that is produced somehow has to reflect the zeitgeist or the ambiance and the time and the history in which it is produced. I think it's inescapable. It's like we look back now, at work done savoring the thirties, and you can almost tell it was done during that period of time. Now maybe, that's a style of period or something, I don't know. I think my work, or the things that interest me, come out of my reaction to history.
If you stop doing a skill you've done for years for any period of time, there's an adjustment period to get it back. In anything you do. Motor skills won't work as fast, because repetition is everything.
In theater, you have a rehearsal period and you know just who to be.
On a film, they'll always say there's going to be a rehearsal period, and there never is.
Simon McBurney on "All My Sons" on Broadway - we had an eight-week rehearsal period and I really enjoyed the way that he prepared us to go onstage. It was different than anything I've done and it was a different way of being directed, so I tried to take my different experiences of these directors and give those to my actors.
For writers that rehearsal period is death. It is the most destructive thing of all to a script.
But it was not possible to do this movie, in this matter of time, without a solid rehearsal period.
For me the rehearsal period is the part I most enjoy. It's the creating of the story.
I've done a lot of period stuff but that's mostly because, in England, we get off on a lot of period stuff, but it's not any kind of particular choice. That's where a lot of the work is.
I think one of the reasons I've done so much period work is because I feel so depressed by how society chooses to represent women in contemporary work.
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