A Quote by Donald Ray Pollock

It was really just the name that inspired me: Rainsboro. It's located near Rocky Fork State Park. I have probably driven through that little place a thousand times, but, in that weird way my mind works sometimes, one particular evening it just hit me the right way, I guess. Created a mood more than anything else. And then I started thinking about a woman and her young son who end up there.
I first started removing the 'she,' 'her,' and 'hers' pronouns from my online material. I was just using my name in place of a pronoun, and that felt really good. Then I read the script for 'Billions' and did a little more research into non-binary, and it just really clicked for me.
I suppose for me as an artist it wasn't always just about expressing my work; I really wanted, more than anything else, to contribute in some way to the culture that I was living in. It just seemed like a challenge to move it a little bit towards the way I thought it might be interesting to go.
I feel like I'm in a weird state, and I wake up in Hollywood, and I've got a couple of studio movies underneath my belt, and I take these meetings with people. Sometimes it's this great, weird sense of oddness that comes at you, because I've never really stopped thinking the way that I started thinking.
The way I write is this: I write about a thousand words a day, a little bit more. The next morning, I read those thousand words and cursorily edit that. Then I write the next thousand. I do that all the way to the end of the book and then I reread the book quite a few times, editing as go through.
When I was 16 was just thinking about the future and - it sounds so stupid - but what my goal was going to be in life. I guess I was thinking about girls too. No girls liked me. That was bothering me. I was thinking about my height - I had a growth spurt right before high school and then that's when sports coaches started coming up to me, but that's when I had this artistic turn.
I could play through anything. But just thinking about I have kids, longevity, I probably would have made more of a conscious effort not to hit the floor, but at the end of the day in the playoffs, you can't play that way. You just have to play and give it your all.
The word C.R.E.A.M. - which stands for "Cash Rules Everything Around Me" - is from Wu Tang Clan. This song is about a prostitute who falls in love with her client, who winds up being a drug girl in New York. It's an ode to the girl who works in the streets; it gives her a face and a name and a story. I used to go and admire those girls. I was inspired by their bravery and their femininity, and how they were just putting themselves out there. It was intense to see. It's strange, but they kind of inspired me in a way. I felt it was so bold.
Sometimes all that saves me is being willing to make mistakes. There are projects that strike me as so beautiful, important, complicated, or just plain big, that they convince me of my own inadequacy. This awful state of reverence leads to paralyzing brain freeze. At times like that the only way out is for me to decide, 'To hell with it. I can't do it right, so I'll do it wrong. I can't do it well, but I can do it badly.' Sometimes, with luck, while I'm sweating to do it wrong, I stumble on a right way.
You aren't even angry with me anymore, Stefan, so let me up." He didn't budge. "It would be a misconception on your part, little Tanya, if you are thinking I have to be angry to make love to you." His head bent, his lips grazing her cheek all the way to her ear. With his warm breath sending tingles all over her, he continued in a whisper, "I wanted you last night, today a dozen times, right now more than ever. Tell me to love you, Tanya. Demand it of me!
A guy came up to me in the park and asked if I wanted to buy his CD. I said sure. He got panicked and told me he didn't actually have a CD, and he started crying and then told me he never made it and he's really sorry and called me 'Ralph.' New York's a really weird place.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
Every year I go to Denver, usually between June and August. I hire a car and head up to the Rocky Mountain National Park, about a three-hour drive. It's my idea of heaven on earth and just talking about it puts me in a good mood.
Politics is a very male-dominated, male-driven profession. I was not just a woman but a young woman, and I suppose you end up trying to behave in a way that you think is expected of you.
I think, more than anything else, my dog's death has made me grow up. I find myself thinking about the world in a more serious way.
What I really like to do, especially because we're all busy so sometimes you forget to do something, I always keep wrist weights with me. If I just put them on throughout the day, then I'll just be doing stuff and it's kind of just toning without me doing anything. Sometimes that's just my little trick. I have ankle weights and wrist weights and I just keep them with me at all times.
I think in most cases, when you're writing a song, you're just making up a little story, and you're not really thinking about making a point one way or another about it. You're just coming up with a little scenario and seeing it through, and that's it.
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