A Quote by Donald Ray Pollock
There are a lot of writers from the South who would probably have once figured they needed to go to New York to make it who have stayed closer to home - people like David Joy, Tom Franklin, Sheldon Lee Compton, Wiley Cash, Mark Powell, and Alex Taylor.
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It wasn't until the fourth or fifth Van Halen record that people would go, 'Wow! You're singing backgrounds on those records. That's not David Lee Roth.' And I go, 'Hell, no! That's not David Lee Roth.'
I feel like I'm a New Yorker to the bone. But there is a lot of the South in me. I know there is a lot of the South in my mannerisms. There's a lot of the South in my expectations of other people and how people treat each other. There's a lot of the South in the way I speak, but it could never be home.
I love New York for being New York. I love L.A. for being L.A. But when it comes home, I'm a Midwest, South type of dude. I like open roads, I like to drive, and it may not be as fast, but it's definitely a place where you get to appreciate a lot more. Not saying that you don't up here, but that's not what I'm accustomed to.
A lot of the reason I left New York, in addition to being so broke, was that I just felt I was becoming provincial in that way that only New Yorkers are. My points of reference were really insular. They were insular in that fantastic New York way, but they didn't go much beyond that. I didn't have any sense of class and geography, because the economy of New York is so specific. So I definitely had access and exposure to a huge variety of people that I wouldn't have had if I'd stayed in New York - much more so in Nebraska even than in L.A.
A lot of writers choose to live in New York, partly because of the literary culture here, and partly because Brooklyn's a pretty nice place to live. And a lot of writers who might not geographically reside in New York still point their ambitions towards New York in some sense.
My advice for aspiring writers is go to New York. And if you can’t go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests. Writing books begins in talking about it, like most human projects, and in being close to those who have already done what you propose to do.
I have very specific advice for aspiring writers: go to New York. And if you can't go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests.
I saw Tom Cruise at every audition I went up for, and he was a friendly go-getter back then. You gotta remember, in New York I would go up for something, I would sit, and in the room would be Matthew Modine, Matthew Broderick, Andrew McCarthy, Tom Cruise, and Kevin Bacon.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
I think when people think of Compton, of course, they always think of gangster rap. But if you ever had an opportunity to go to Compton, you would know that Compton is a beautiful city.
Most of the writers in TV are from L.A. or New York, and those are places where people are cynical and snarky. And they fly from L.A. to New York in an airplane over this vast, expansive land where people aren't snarky; they're a lot more like the Parks and Recreation characters.
Most of the writers in TV are from L.A. or New York, and those are places where people are cynical and snarky. And they fly from L.A. to New York in an airplane over this vast, expansive land where people aren't snarky; they're a lot more like the 'Parks and Rec' characters.
Le Cirque is strictly New York people. New York people don't eat at home; New York people go out.
So many people - DPs, writers, and the assistants that go on to be directors and writers - come from the School of Spike Lee. He's almost set up an Institution of Spike Lee.
It's not like I had big dreams to go to California and become an actor. I loved doing my shows at school and community theater, and I probably would have settled in New York because it was closer. I was going to go to NYU.
I like New York, man - I ain't gonna front. The only thing I probably don't like about New York is that, coming from the South, people aren't hospitable. You tell somebody 'Hi,' and they look at you like you're out your freaking mind.
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