A Quote by Donald Ray Pollock
I think my characters - well, at least a few of them - are hoping or searching for some kind of contact with god.
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I'm hoping there's cohesion in these tracks. Some of them were made weeks ago, some were made in 2010, but they've all stood out as one big thing I want to give to everyone. The concept behind No Plans references a few of concerns: having no plans with school, no plans with jobs, and no plans for the future. I'm hoping these songs can help you forget about those concerns, at least for 30 minutes of your day.
You're on stage and because stand-up comedy is one of the few meritocracies in the entertainment industry, there's some kind of - at least for me, there's some kind of idea of control.
I think at least two of [my kids] - and I'm - I better not speak them by name because I'm not sure where they are these days, but at least two of them believe in some kind of higher force. The - another is an atheist and the other is still pondering.
It is certainly true that most men need some kind of a God. A few, and they are the men of genius, do not bow to an alien law. The rest try to justify their doings and misdoings, their thinking and existence (at least the menial side of it), to some one else, whether it be the personal God of the Jews, or a beloved, respected, and revered human being. It is only in this way that they can bring their lives under the social law. . . .
I think even the characters that are fundamentally evil and wrong, I want people to really love them. I think that's important to writing believable characters. They don't have to be likable but they have to be loved, at least by the author.
No woman or man is any one thing and the men in my stories, well, some of them are good and some of them are terrible, and most of them make the lives of the women they love much harder than need be. Why? Because that's the kind of storytelling I was drawn to when I wrote these stories, most of which are at least seven years or more old.
I like the opportunity to play characters who have these dark sides but make the audience empathize with them. You want them to think there is some kind of sweeter, softer side to it.
There are some characters in 'The Names' who are very much heroes and others who can only be called villains. But generally, as we get to know them, we see most of the characters are, or at least become, quite nuanced.
I think competition in any kind of activity like music, art, literature - anything that's not done with a timer - is actually impossible. So, in effect, what you're doing is you're entering the lottery. You're hoping that you play well (and that) you play your best on the day that you're heard, and you're hoping that the people who are judging will like what you do.
In a play, a few actors perform a few characters, and they need to perform those characters with a certain level of believability so that audiences can actually understand and see them as those characters.
I've always kind of ripped from real life to some degree or at least how I'm feeling in the moment. In fact, maybe that's really it. In anything I've ever written, all the characters sound like me, which I don't think is a bad thing.
I think characters are going to be, if not a reflection of the author, at least some refraction of some part of their personality.
To have a firm foundation as a child of God is something that so many people are longing for and wanting because they're searching for something more. There's got to be more out there. What is it? Well, I can tell you what it is. It's a relationship with the God of this universe, who loves you so much. That's what is it. That's what you're searching for. That's what you're longing for, and that's what you need.
Searching for money, what are you really searching? You are searching power, you are searching strength. Searching for prestige, political authority, what are you searching? You are searching power, strength - and strength is all the time available just by the corner. You are searching in wrong places.
Facebook is inherently viral. There are lots of sites that include a contact importer, and for lots of them it doesn't really make sense. For Facebook it fits so well. It wasn't until a few years in that we started building some tools that made it easier to import friends to the site. That was a huge thing that spiked growth.
I think any writer is a fool if he doesn't do it for money. There needs to be some kind of incentive in addition to the project. It all goes together. It's fun to sit there and think of characters and get them into action, then be paid for it.
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