A Quote by Donald Sinden
James Agate, a great critic of the day, advised me that the way to learn your job properly was to learn Shakespeare, so I went to Stratford. It really sorts out the men from the boys.
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I've done maybe twelve of Shakespeare's plays. I was with the Royal Shakespeare Company for years. Whatever influence that has never leaves you. If you learn to drive a car, and you learn the right way if there is ever a right way. You learn the good aspects, you learn to drive properly. And that never leaves you.
You know, I really don't think you learn from teachers. You learn from work. I think what you learn, really, is how to be- you have to be your own toughest critic, and you only learn that from work, from seeing work.
I'd love to do Shakespeare. I've been asked to do Malvolio but for one reason or another haven't been able. On a school trip to the Royal Shakespeare Company at Stratford I saw the great Emrys James as Feste and it's always been a role I've coveted.
I had great difficulties learning to play initially because I could not think rhythmically properly, although it's an even-paced rhythm, I was not phrasing properly, I was too Western. It took me a while to learn to think in needed form, and the only way I could learn was just by ear.
And so gentlemen, I learned. Oh, if you have to learn, you learn; if you’re desperate for a way out, you learn; you learn pitilessly. You stand over yourself with a whip in your hand; if there’s the least resistance, you lash yourself.
Searching out directors you respect and that you can learn from that's always the dream. That's the goal. That's hopefully where this whole thing is leading, and what better way to learn about directing and learn about what works and what I like and what resonates me than by working with a bunch of great directors.
If you do your job properly you usually learn a lot from any role you do.
I'm not that powerful but it's great that I'm allowed to do my job and talk about my life as a disabled person and hopefully sometimes people will laugh at that - sometimes they learn from that and if I do my job really well they laugh and they learn.
Taking chances is my job; some will connect and some won't, and certain films find their audiences in different ways. I think 'Spotlight' probably is a better movie because of 'The Cobbler.' You learn with every movie you make: you learn from your mistakes, and you learn from your achievements, and I really do have that approach to filmmaking.
It's often been said that you learn more from losing than you do from winning. I think, if you're wise, you learn from both. You learn a lot from a loss. You learn what is it that we're not doing to get to where we want to go. It really gets your attention and it really motivates the work ethic of your team when you're not doing well.
Let me stop there, but my God, how beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy. But one must learn to read, just as one must learn to see and learn to live.
I talked to friends who are actors and who do Shakespeare loads, and they all said 'learn it so that your family wants to clobber you, they're so bored.' You can never relax, that's the problem, because when you do, a bit of Shakespeare comes up to bite your cheeky behind. It just does, if you're not really focused on it.
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.
If I sat down in any room, I'd have as much to learn from anybody in that room as they'd have to learn from me. If I sit down and just really listen and hear who you are and what you have to say, what you fears are, what your ambitions are, and what your vision is, I have just as much to learn from you as you have to learn from me.
Going out and playing football or baseball with the boys, when I was a tomboy, was a great way to learn about winning and losing, and most girls didn't have that experience.
If I'm going to be honest with you, when I trained at school, I feel like I was training to be a chameleon. I want to be that versatile actor who can do anything - that's why you learn fifty different dialects, you do Shakespeare, you do commedia, you do it all so that if any job comes your way, you should be able to do it.
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