A Quote by Donald Sinden

You come across quite ordinary, nondescript people in daily life, and I don't see why you should be subjected to them on the stage, too. — © Donald Sinden
You come across quite ordinary, nondescript people in daily life, and I don't see why you should be subjected to them on the stage, too.
Actors ought to be larger than life. You come across quite enough ordinary, nondescript people in daily life and I don't see why you should be subjected to them on the stage too.
We should assume that we all have a lot in common. Speak as if our views are the only sensible ones. This resonates with ordinary people, as long as we speak ordinary language and don't come across as elitists.
I think re-engineering or restructuring or downsizing or rightsizing or whatever you want to call it, it's basically firing, has gone way too far. Employees, as I've talked to them across the country, feel that they are not respected, they are not valued, they are worried about their jobs. They simply feel that the company is no longer loyal to them. Why should they be loyal to the company, they ask me. Why should I go the extra mile? Why should I care?
Ordinary' is a word I loathe. It has a patronizing air. I have come across ordinary people who have done extraordinary things.
The talking shows allow me to come out of my cave and that's why those shows go on for so long. I hate walking off stage. Sometimes I walk off and I miss them as I'm walking off the stage. I wonder if they'll let me go another hour. That's why I do it: to communicate, to get points across.
People don't want to see the guy next door on the stage, they want to see a being from another planet. You want to see somebody you'd never meet in ordinary life.
I'm quite shocked and have been for quite a while as for the way people are treating each other. That's why I go out and I speak for the hungry, and if I see somebody needs a hug during the day, I'll go and give them a hug, and I think we should all use a little bit more of that.
I fear that many a man's good resolutions only need the ordinary fire of daily life to make them melt away. So, too, with fine professions and the boastings of perfection which abound in this age of shams.
The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
Opening a small business is a reasonable thing for you to do but should tax payer, should an ordinary worker have to pay more money in taxes because someone across the street from them opened up a business which might well go under? For a lot of people opening a business is a bad choice for them. Most small businesses fail. I understand people wanting to give it a try and everything but we're not necessarily doing them a favor to say, take all your life savings, borrow to the hilt, and then struggle for three years and end up with nothing. We're not necessarily doing them a favor.
I was a working class Jewish girl. In my girlhood, anti-Semitism was a daily fact of life in Detroit. I did not come from people who had many options in their lives or many choices open to them. I was a girl in a family in which women were, as in society at large, very much second-class citizens. I did not see why I should accept these forced limitations without a fight. Being free to make my own choices thus became very important to me at an early age.
I am honestly very intimidated when I meet new people and they expect me to be the onscreen Vir. On stage, I say a lot of things I might never say in real life; I am never the life of the party. People are quite surprised to see that I am more of a quiet artiste off stage.
Just to see him come on the stage was an event. They had very high risers, and back a little bit, so he'd walk around behind the risers and right across the front of the stage to the podium, remember?
What I bring to the interview is respect. The person recognizes that you respect them because you're listening. Because you're listening, they feel good about talking to you. When someone tells me a thing that happened, what do I feel inside? I want to get the story out. It's for the person who reads it to have the feeling . . . In most cases the person I encounter is not a celebrity; rather the ordinary person. "Ordinary" is a word I loathe. It has a patronizing air. I have come across ordinary people who have done extraordinary things. (p. 176)
Especially students. I love to turn them on to a story. Some of them have to go see me as an assignment, like kids from the schools in New York will go to the Y. I want them to know why I love this and why they should too.
I come across as quite aggressive and quite in people's faces and everything like that, but I know where to draw the line.
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