A Quote by Donald Trump

It's not like we have a choice. We can't let what's happening happen. I mean, I've heard stories that are so horrible. I mean, people are killing themselves while they're waiting on line because they can't - you know, they know it's days and days before they can have what could be a simple procedure, what could be a simple prescription.
Auditioning is a horrible experience because you know you are being absolutely scrutinized and judged. There are days where you can do it and days where it's just not happening, and I feel like that's how it is with all artists; you have some days it kind of works.
You know the days when you get the mean reds? Paul Varjak: The mean reds. You mean like the blues? Holly Golightly: No. The blues are because you’re getting fat, and maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid, and you don’t know what you’re afraid of. Do you ever get that feeling?
You know, it actually can happen. I mean, the chances of it happening are very rare, but it can happen actually. Which is crazy. Not that it—the chances of it are, like, you know, it's like probably ‘pigs could fly.' Like, I don't think pigs could fly, but actually sharks could be stuck in tornados. There could be a sharknado.
A couple days before the stunts, if I'm doing something particularly dangerous, I will go over every worst-case scenario in my head, like this could happen, this could happen, this could happen, this could happen. I try to think about that to where it's ingrained in me.
You know, because you outline a movie, it kinda comes at the same time. I mean, there are days when you are just concentrating on 'ok, let's worry about just comedy today,' and there are days when you're like 'you know what, we gotta just beef up the story.'. But, it's not like process wise it's that technically separate. One informs the other, so they kinda all happen together ideally.
What I had to do was learn how to tell stories with my pictures. At first I didn't even know what that meant because I thought I was already doing it. After all these years of drawing stories and trying to teach it, I think it boils down to a pretty simple rule: it takes time to get to know the characters in a book and the world they inhabit. My first sketches are always horrible. Stereotypical. Contrived. Generic. I have to put in the time in order to deepen them and have it all mean something.
People who know me know that I'm not going to open my mouth and say something if I don't mean it. I'm very short and sweet. I'm old-school when it comes to it: I say what I mean and mean what I say, and then get off of it. It's simple as that.
I wish I could help everyone to understand this one simple fact: we believe in God because of things we know with our heart and mind, not because of things we do not know. Our spiritual experiences are sometimes too sacred to explain in worldly terms, but that doesn't mean they are not real.
You know those days at the office when you used to come in and not really do much? You don't get days like that as an entrepreneur. If you don't do the work you need to, nothing happens that needs to. It's that simple.
I have this theory about words. There's a thousand ways to say "Pass the salt". It could mean, you know, "Can I have some salt?" or it could mean, "I love you.". It could mean, "I'm very annoyed with you". Really, the list could go on and on. Words are little bombs, and they have a lot of energy inside them.
We've always had the blame-America crowd. We've always had the hate-America crowd. But we've now had at least two generations of education where this has been indoctrinated into the young skulls full of mush of young people. They've heard how horrible America was back in the days of slavery. They've heard how horrible America treated women. They've heard how horrible every minority group was treated. They've heard how mean-spirited the founders were. They've heard all kinds of literal lies.
I'm always amazed that anyone is paying attention to anything that I do, you know what I mean? I feel like I'm constantly having conversations with people where they're saying, "I didn't know that you could be serious," and then other people are saying, "Oh, I didn't know that you could do comedy." And so I don't know if it really helped too much with this. I like to think that it does.
I know what it feels like to struggle with your weight, and it makes me understand why women get attached to numbers on a scale or a dress size. It doesn't mean that I have gotten over all of it myself, because I have good days and bad days just like everyone else.
Hey can mean anything. It can mean yes, it can mean maybe, it could mean no, it could mean next week. Hey, the bottom line is you have to understand me to understand hey.
In those days, I didn't know how guys like Clapton and Beck were getting that searing blues lead sound, so I developed my style to be rhythmic and chord-based, with simple lead lines that you could almost hum.
Clarity is of no importance because nobody listens and nobody knows what you mean no matter what you mean, nor how clearly you mean what you mean. But if you have vitality enough of knowing enough of what you mean, somebody and sometime and sometimes a great many will have to realize that you know what you mean and so they will agree that you mean what you know, what you know you mean, which is as near as anybody can come to understanding any one.
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