A Quote by Donald Trump

We are letting people into America that are going to cause problems and crime like you've never seen. We're also letting drugs pour through our southern border at a record clip. At a record clip. And it shouldn't be allowed to happen.
It was a chance meeting with a lady at Mariah Carey's record company who was here in our office, actually. And I pulled her in here to this very office that we're sitting in now, and I played her the clip of me and George Michael singing. And I was like, it's joyful. And that's what people want.
Once, I had to clip a jacket back to take a picture, and after they were done I forgot to remove the clip until someone noticed.
I'd be absolutely happy to go back and make a smaller picture. I never want my choices to be dictated by budget. That's one of the reasons why I take so much pride in being able to make films for $2 and a paper clip - because I can always get my hands on $2 and a paper clip. I never have to ask for permission for that.
When you make timeless music - and I like to think that's what I'm doing - the fun part is picking the songs. You can clip and flop and mix and match, and when the record is timeless and it feels good, you know it's going to have the same appeal whether you put it out now or 10 years from now. That's what I'm about.
If I had to explain what WrestleMania was to someone who's never seen wrestling, never seen WWE, never heard of the concept of WrestleMania, I would show them a five second video clip of The Rock and Hulk Hogan standing motionless in the ring while 70,000 people are jumping up and down.
The first record was basically a quick, fast record. The second record, we were going for more of a poppier sound - like a heavy pop sound. For 'Rocket to Russia,' we'd sort of reached our pinnacle. We'd gotten really good at what we were doing, so that's like my favorite record - that's a really good record. It's just great from beginning to end.
The only way you will ever awaken is through silence, not through analyzation of facts. Not by sorting out good and bad, but through simple silence, letting go. Letting go of all thoughts, all the hurts, all the dogmas and concepts. Letting go of these things daily.
When the Pleiadians speak of letting go, they transmit a letting go energy through our energetic field. As a human being, we've been holding on for lifetimes, really holding on to the illusion strongly, holding on to the shame, the guilt, the sadness, all the things we've lived through, all the experiences we have allowed ourselves to create for ourselves in order to learn. We've held on to the pieces of us - the anger, the frustration and the pain.
Teenage years, having gone through it all, I know it's a rough, rough time, and I would say to accept that message of letting go, letting it happen and accepting that things don't always happen for a reason, or you may not understand the reason, but it's all part of the journey, and try to enjoy the ride.
If I hear a film clip, or I happen to see some image from a film - you go to a film festival, and they show some clip of the movies you've been in, most of the time I sit there and go, "Oh God, I should have... should have... that was terrible." But I think that's a natural part of this work, because really, your work is never over. Of course I can leave it alone and walk off the set and never think about it again when it's done. But your work is really ongoing all the time.
If you have children and want to give your future self a present, record their laughter as toddlers. When they're older and away from you, you might find that clip in the middle of the day, and it will transport you as surely as if you had a time machine.
There's a huge cost to freedom in letting people talk about how you print these plastic guns or letting them say these things about arming for tyranny. There's also a cost to letting the government say these ideas can't be expressed, this is treason. It's difficult.
'Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.
Cause I can make more money going in and doing my recordings and selling them through my entities that I have, rather than going to a record co. and them release a record and pay me 5 percent of what they make off it.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
It is as bad to clip conscience as to clip coin; it is as bad to give a counterfeit statement as a counterfeit bill.
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