A Quote by Donald Trump

You walk into Air Force One. It's like a surreal experience, in a certain way, but you have to get over it, because there's so much work to be done, whether it's jobs or other nations that truly hate us. You have to get over it.
No one ever seems to wonder what happens if it turns out we hate living on a planet? What if the sky’s too big? What if the air stinks? What if we go hungry?’ ‘And what if the air tastes of honey? What if there’s so much food we all get too fat? What if the sky is so beautiful we don’t get any work done because we’re all looking at it too much?
But the Air Force was sort of a bastard child of the Army, much like the Marines with the Navy. Everything had to be done over by the Army after it had already been done by the Air Corps, a mess.
You better get as much work as you can now because, once you get over 40, it’s over.
I feel like everyone, at least all teenagers these days, wears Air Force 1s or Converse. But I would much rather have Air Force 1s over Converse for sure. I think Air Force 1s are cooler and they're more comfortable.
When I started in the business years ago, people would always say, 'You better get as much work as you can now, because once you get over 40, it's over.'
I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.
I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.
I don't like that we repeat a certain expression over and over again because I think it narrows the way that we look on the world. I also think that there is a certain responsibility if you work with moving images because it's so strong in creating behaviour; it's so strong in creating the way that we look on the world, so for me it's very important that I create images that I have an experience of or is something that I think exists in the world and not just in cinema.
I got my transferrable skills from working at entry-level, gauging what I wanted from my career, and making sure I had what it took to get the one I truly wanted. But now there's a Catch 22: school leavers need experience to get jobs, but they can't get experience without jobs.
In our childhoods we either get all the social and emotional and ethical skills we need to be well adjusted adults, or we don't. Some of us don't know how to tell someone we like them. A lot of us get depressed and get wasted. Why don't we do something that makes us feel better? Because we don't know any other way. When I didn't have enough skills I compensated with drugs and alcohol. It's like there was a hole in the wall and I put a poster over it.
You sing songs hundreds of times over and over, but certain ones just morph and naturally, as you age and get life experience, take on a different form as well. When I was looking at songs for the album, I thought, "Which are the ones that connect with me the most? What do I think would work in album form?" Almost all of them I've done in shows.
I have less control over how I'm cast and the jobs that I get than people would imagine. Most of us don't have control over that, but I think it's a preponderance of your body of work.
I don't really get that nervous about whether people like it. You can't do anything about that. It's more technical. You spend two years of your life obsessing, picturing sound details, and you work so hard to make a movie a certain way, that you get there, and you're like - is it loud enough or whatever, so that this experience with everybody in this room is the fairest chance I can get. And then if you like it, cool, and if you don't, whatever.
I really think you get the jobs you're supposed to get. And don't stress over the jobs that you don't. That would have saved me so many tears and so much frustration.
Guest roles are how you get initiated into the industry. It's fun. Over the course of a few years you realise you've done many shows. You get a chance to prove yourself, and that's how you get jobs because of people who have worked with you in the past and trust you.
The truth that people are missing about certain things, you know when they get fearful and they get hateful, and they repress other peoples, is the greatest truth of all, you know, the truth of love and understanding and clarity about all those issues. And it's like, one day, one day, everybody's gonna know, myself included, over certain things. But, so it's like, it's alright, you know, you hate me now, but that's cool, because I see a better day and I know that there's a higher truth, and you're wrong about hating me because I'm gay.
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