It was great for me getting a chance to grow up as a normal kid just out of the spotlight, versus all of them growing up in New York. They always had that intense media and spotlight on them.
I don't want to carry big things around with me. I'm lazy. The snapshot camera, you just carry it around and take the picture. You don't need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable.
I don't care whether I'm in the spotlight, not in the spotlight. That's not gonna stop me from doing anything.
I have always written - since I was a kid. I might say that I am essentially a writer who is bored to be alone in the room writing. I need to have more people around me. So, I 'write' with a film camera and have a party at the same time by having a bunch of people around.
I remember, as a kid, nothing struck me funnier than seeing Richard Nixon look into the camera and sincerely tell everyone he didn't know where the 18 minutes had gone from his tapes. But there was all this sweat on his upper lip. We knew he was lying. He knew we knew he was lying. But he was determined to tell the lie.
I guess as a kid, I was always creative, and I was involved in music, like piano and violin and choir, so I always knew - I always knew that I wanted to do something that would allow me to be who I am. Generally, that was creatively, imaginatively.
I just feel like a kid that has some money now, that can take care of my family... I think I'll always be a kid. I'm always messing around, always running around, always trying to have a good time.
I have never hid my spiritual roots. They just weren't something that came under the spotlight.
I used to make short films even as a kid. I used to have a camera and play around with it. So, I was always interested in the process and telling stories. I've always wanted to direct.
I was a different kind of kid. Pau always knew what he wanted. He was really good at school, really responsible. I was more of a loose cannon, honestly. I was running around and outside, and getting into a little trouble more than anything. But always in a good way. It was never my fault. It was the other guy. I was just there.
Being in front of the camera - first of all, when I wanted to get into television, it was as a producer. I never had an idea that I would do anything in front of the camera, and that kind of happened by accident. But I wanted to be a producer or give me a job with the Yankees or play for the Knicks. I was a sports nut when I was a kid.
I was a loser, a bad kid, I wasn't really into anything, and then someone gave me a camera and I found that this was the thing I wanted to do.
We named all our children Kid. Well, they have different first names, like Hey Kid, You Kid, Dumb Kid . . .
Before, I was always the kid that was in the background. It was hard for me to get casted in even one program, and when people thought that I was a guest on a show for the first time when I had been on before, it saddened me. Suddenly getting the spotlight? That's! Not! True!
Kid 1: *examining my gorgeous strawberry and blueberry pies*: Wow, Mom, your pies don’t look awful this time. Me (Ilona): ... ~A little later~ Kid 2: *wandering into the kitchen* Kid 1: Hey, you’ve got to see these pies. *opening the stove* Kid 2: Wow. They are not ugly this time. Kid 1: I know, right?
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.