A Quote by Donatella Versace
In mythology, the Medusa can petrify people with a look - which is a good thing, I think. But the Medusa is a unique symbol - something strong. It’s about going all the way.
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In mythology, the Medusa can petrify people with a look - which is a good thing, I think. But the Medusa is a unique symbol - something strong. It's about going all the way.
Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way—the way of art—for the sake of just such a turn? And since the strange, the abyss and Medusa’s head, the abyss and the automaton, all seem to lie in the same direction—is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa’s head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here, in this manner, some other thing is also set free?
Look, ladies, we've been over this. I don't even remember killing Medusa. I don't remember anything! Can't we just call a truce and talk about your weekly specials?" Stheno gave her sister a pouty look, which was hard to do with giant bronze tusks. "Can we?
The television, that insidious beast, that Medusa which freezes a billion people to stone every night, staring fixedly, that Siren which called and sang and promised so much and gave, after all, so little.
Let me explain: there are dragons, and then there are drakons. Drakons are several millennia older than dragons, andmuch larger. They look like giant serpents. Most don't have wings. Most don't breathe fire (though some do). All are poisonous. All are immensely strong, with scales harder than titanium. Their eyes can paralyze you; not the turn-you~to-stone Medusa-type paralysis, buttheoh~my~gods-that~big~snake~is~going~to~eat~me type of paralysis, which is just as bad.
I developed my camera system, called the Medusa, jointly with a colleague down in Australia as a method of exploring the ocean unobtrusively. The critical thing was that we didn't use white light, which I believe has been scaring the animals away.
Think about Medusa, with the snakes. If you shoot a movie in Europe, the financiers are three snakes, and they all have opinions. In Hollywood there are, like, 20 snakes.
Beauty is that Medusa's head which men go armed to seek and sever, and dead will starve and sting forever.
I've been prepping for my role as Medusa.
Margaret Thatcher has shown that there is power and dignity to be won by defying the status quo and the majority rather than by adapting to them. If the British left, which she froze into immobility like Medusa, could bring itself to learn from this, then we might not have to look upon her like again.
So what did influence 'Bird Box?' Well, I've had a crush on Medusa since about 1985. Maybe the book is an ode to her.
You only have to look at the Medusa straight on to see her. And she's not deadly. She's beautiful and she's laughing.
When Medusa looks in the mirror, she sees the Lady of Sorrows.
Freud was a hero. He descended to the Underworld and met there stark terrors. He carried with him his theory as a Medusa's head which turned these terrors to stone.
Obi-Wan understands that the best thing he can do is contribute something positive to the world around him and then to leave. And if he does that, he will in some ways live forever because the good influence of what he did will be felt. It may sound corny but that's kind of the way I feel about contributing to Star Wars characters. It isn't about me. It's about the story. It's about the mythology of Star Wars and the moral implications of that mythology.
I never really expected "Hurricane" to be censored and banned around the world, but I think the good thing that came from it was that it created a dialogue, a conversation, a debate and a discussion. And that's a great thing. It brought all of us together in a unique way. And it made us look a little deeper in ourselves. I think it's a good thing.
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