A Quote by Donatella Versace

At that time of the supermodels, celebrities didn't want to be in fashion; they thought they were more intellectual and interesting than anyone in fashion. — © Donatella Versace
At that time of the supermodels, celebrities didn't want to be in fashion; they thought they were more intellectual and interesting than anyone in fashion.
With all the new media outlets out there, with all the noise, a voice of authority and calm like Vogue becomes more important than ever. The more eyes on fashion, the more opinions about fashion, the more exploration of fashion around the world, the better it is for Vogue. Vogue is like Nike or Coca-Cola—this huge global brand. I want to enhance it, I want to protect it, and I want it to be part of the conversation.
Fashion sighs after trends. I want timeless elegance. Fashion has no time. I do. I say: Hello Lady, how can I help you? Fashion has no time to even ask such a question, because it is constantly concerned with finding out: What will come next? It is more about helping women to suffer less, to attain more freedom and independence.
My Pirelli calendar is hanging on the wall of my friend's frat house, and he doesn't know anything about fashion. That balance is what leads to big campaigns outside of fashion. But I never want to choose one or the other. Both commercial and high fashion are what make my job so interesting.
I was obsessed with fashion when I was young. I thought fashion meant fashion design, and I thought I wanted to be a designer at some point.
The best and the worst thing about fashion is that anyone can do it. But because fashion can be the most unintellectual thing, you have to turn it into an intellectual exercise just for your own sanity. You have to start with a conceit.
There's more to me than fashion. I just don't want to be seen as fashion.
In the '70s, if anything, it was a more interesting time in fashion. It was a time when things were changing, especially in London.
I went to London Fashion Week for the first time, after I got the job [on The Collection ], and it completely changed the way I perceived it. I thought, "This is a far bigger operation than I ever expected, and it has far more worth than I ever gave it before." It definitely changed my view of the fashion world.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
I can't think of anything that isn't cloud computing with all of these announcements. The computer industry is the only industry that is more fashion-driven than women's fashion. Maybe I'm an idiot, but I have no idea what anyone is talking about. What is it?
I think a lot of people would assume that my job is more about supermodels and naked ladies and all that, and no, it's just really about fashion, merchandise and customers. So the obviously sexy parts - you get to go to the fashion show and all that stuff. It's really just business. That's my story. I'm sticking to it.
I am what I am. Before I was not so proud to make fashion. My family thought fashion wasn't very interesting. So I hid that.
For rather particular reasons, the interior-design industry moved more quickly than fashion to cope with AIDS. One reason is that it is made up of generally smaller businesses than fashion. The human losses were more quickly noticed.
The computer industry is the only industry that is more fashion-driven than women's fashion. Maybe I'm an idiot, but I have no idea what anyone is talking about. What is it? It's complete gibberish. It's insane. When is this idiocy going to stop?
If fashion is for everyone, is it fashion? The answer goes far beyond the collections and relates to the speed of fast fashion. There is no longer a time gap between when a small segment of fashion-conscious people pick up a trend and when it is all over the sidewalks.
The job is not to succeed but fail more interesting than the last time—- in a more subtle fashion or in a more intriguing way.
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