A Quote by Donna Brazile

After Katrina, no one was the same. People, relatives, they were dying one after another. — © Donna Brazile
After Katrina, no one was the same. People, relatives, they were dying one after another.
What happened after Katrina is that people were stirred to action; there were an enormous number of contributions by people trying to make a difference. But then we forget. We've forgotten Katrina victims, we've forgotten the face of poverty.
It is the human condition to question one god after another, one appearance after another, or better, one apparition after another, always pursuing the truth of the imagination, which is not the same as the truth of appearance.
Katrina silenced me for two years. I wrote a 12-page essay on my experience in Katrina, and that's it. I didn't write anything for, like, two, two and a half years after Katrina hit because it was so traumatic.
You saw on your TV what happened in New Orleans after Hurricane Katrina. The Reserves or National Guard are usually the people we use for those national emergencies. They weren't here, they were over in Iraq, and so we were less protected.
Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality?
From the moment my dad died, from the moment I found out there was the possibility of his dying, there were many surprises - years after, minutes after. The moments I was okay were as surprising as the ones that I wasn't. Making it through the eulogy without losing it. And then the guilt I felt about it. Surprise!
Twenty years is, after all, a long time. We are not the same people we were. Old friends, lovers, even family members: they are strangers who happen to wear a familiar face. We have no right to claim to know anyone after such a distance.
Writing is simply one thought after another dying upon the one before.
After I did the first Die Hard I said I'd never do another, same after I did the second one and the third. The whole genre was running itself into the ground.
Everything changed after Katrina. It's a new New Orleans now and I think it's better. It was a wake-up call and it rebuilt and cleaned up the city. It all happened for a reason. I'm now grateful for Katrina.
I pointed out on the floor last year, after Hurricane Katrina, we were very proud that one of our National Guard engineering battalions was called to Louisiana. And they did a magnificent job.
A year after Hemingway died on the front page, Faulkner went off after a binge, as if dying was nobody's business but his own.
After it's all over, the early childhood, a chain of birthdays woven with candlelight, piles of presents, voices of relatives singing and praising your promise and future, after the years of schooling, fitting yourself into different size desks, memorizing, reciting, reporting, and performing for jury after jury of teachers, counselors, and administrators, you still feel inadequate, alone, vulnerable, and naked in a world that can be unforgiving and terribly demanding.
We've certainly learned a lot of lessons from Katrina, from Rita. Rita was better than Katrina. We're doing a better job planning. We're closer - more closely aligned with the Department of Defense. These things would be positive things if we were to have another attack.
We have had examples in our industry of people working for 30-40 years because of their ability to act. Your looks leave you after a point, you don't look the same way you did when you were in your 20s or 30s. After that you have only your ability to show.
My mom is from New Orleans. And all of my maternal relatives were there during Katrina. We couldn't even find my uncle for four months. We literally didn't know where he was. I had been there just four days before the storm hit.
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