A Quote by Donna Karan
My bodysuit is how I start everyday. I wear a bodysuit everyday of my life. It's how I start my yoga practice. It's underneath it all. For me, what goes under the clothes is as important as what goes on top of the clothes. It's a layering aspect, so it's inside.
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I cherish my clothes and I remember what seasons they're from. But someone said to me as I was having trouble with styling a dress that I had bought, and he said to me: "Throw it on the floor." And I was like, "What? It's like a gown." He goes, "Throw it on the floor," and I did, and he's like that's how you need to wear everything. You wear clothes like you throw them on the floor.
I love new clothes. If everyone could just wear new clothes everyday, I reckon depression wouldn’t exist anymore.
I believe in the semiotics of clothes. They send a message about how the world perceives us. For me it goes beyond clothes, it's grooming. It's accessories. It's the whole head to toe look.
I'm into clothes, but in a way that's related to wanting to walk into a film noir movie. You know, I love to go to vintage stores, but mostly it's stuff that I don't have anywhere to wear... I don't have the life that goes with the clothes.
Finding the physical aspect is important to me because that is often how we read people in everyday life.
I actually love doing period pieces, purely because it takes you into a different world, mentally. The clothes you have to wear are so far from our everyday clothes that it immediately helps with the character and putting you in that mind frame.
I was dying to start shooting for 'Paiyya.' I had worn no good clothes for months, and I was dying to wear good clothes. And, for 'Paiyya,' they gave me eight clothes to change in a day!
On tour and on event days, we usually wear fancy outfits, so in everyday life, I prefer wearing comfortable clothes.
There’s a side to me that likes to make clothes for everyday. But I also think of fashion as an escape. It’s like a dream. It shouldn’t always be practical and about real life. Sometimes you have to do a piece that has a bit more of a wow - almost like, "I don’t know who’s going to wear that. It’s almost too much." That’s a lot of what fashion is about. Even in an economy that isn’t strong and where it’s important to sell clothes, you have to make things that let people dream a little, you know?
There's a side to me that likes to make clothes for everyday. But I also think of fashion as an escape. It's like a dream. Even in an economy that isn't strong and where it's important to sell clothes, you have to make things that let people dream a little.
We are working women. Also, we have the problem of children, of men, to take care of our houses, so many things. I try to explain that in my clothes. They are clothes for everyday life. That is the real life of woman.
I was so aware of the stage clothes versus the everyday-life clothes, and the extremeness of the stage clothes that my parents had designed. Even coming across my dad's old Beatles suits from Savile Row and the history attached to them - the masculinity and simplicity compared to the '70s glitz and glamour of Wings.
There comes a point in your life when you realize how quickly time goes by, and how quickly it has gone. Then it really speeds up exponentially. With that, I think you start to put a lot of things into context; you start to see how huge the world is, and really, the universe.
I enjoy clothes. My mother tells me how, even as a kid, I used to choose my own clothes. I have a feel for it, and I do the costume coordination for my photo shoots as well. Many a time, even my characters wear the clothes I choose.
Through designing clothes, I try to bring solutions to people, and I'm interested in the everyday relationship we have to clothes.
He who has talent in him must be purer in soul than anyone else. Another will be forgiven much, but to him it will not be forgiven. A man who leaves the house in bright, festive clothes needs only one drop of mud splashed from under a wheel, and people all surround him, point their fingers at him, and talk about his slovenliness, while the same people ignore many spots on other passers-by who are wearing everyday clothes. For on everyday clothes the spots do not show.
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