A Quote by Donna Karan
You look at the world situation, look at London, Paris, Italy, it is all basically the same as the U.S. Then you look at other places such as India, Bali, with warmer climates, you know the Southern climates, they are very different. I think there is a time and place for everything and in Australia, for example, it is completely the opposite. I don't think we can be designing for that customer per se.
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Packing is important because a lot of times I have to go places where I have to be in four different climates in three weeks. For example, Bosnia, Ireland, Rome. Different parts of Italy. You have to pack and get it down to a science.
Italy will start the future. Because in the last 20, 20 years, Italy discussed only about the past. "Oh, the past is wonderful in Italy." Look, look Palazzo Vecchio. The most beautiful place in the world, in my opinion, I think this is incredible place. But the past is not sufficient. Is not enough. We need the future. Because we are Italians. And Italy is not only a museum.
Lots of the free world has become weak. When you look at Brussels, when you look at the way they've handled things from law enforcement standpoints, when you look at Paris, when you look at so many other places, no, it's not. But neither is the United States a safe place, because we're allowing thousands of people to come in here. Nobody knows where they're from. Nobody knows who they are and they're coming in here by the thousands. And let me tell you something, we're going to have problems just as big or bigger than they've got.
I wear my heart on my sleeve, and whatever I was giving, it was just coming from my natural place at that time. And you know, some albums I've made, I look back and think they were great, and then some I look at, and I think that wasn't right at the time.
If one tries to think about history, it seems to me - it's like looking at a range of mountains. And the first time you see them, they look one way. But then time changes, the pattern of light shifts. Maybe you've moved slightly, your perspective has changed. The mountains are the same, but they look very different.
Each of us has a very rich nature and can look at things objectively, from a distance, and at the same time can have something more personal to say about them. I am trying to look at the world, and at myself, from many different points of view. I think many poets have this duality.
I have traveled to a lot of places, and you look at another young person who lives under very different circumstances than you but has the same dreams or the same interests or might be better at what I do than what I do. But I was born in a different place, and she was born in a different place. Just for that alone, you're kind of inherently given opportunity. That's something that I'm very grateful for, but I'm also very aware of.
What's considered ideal in Hollywood is completely different than anywhere else in the world. I don't think you can aspire to it, nor can I. Everybody is retouched, stretched, lengthened, slimmed and trimmed. I could look at a picture of myself from the past and think, 'Why don't I look like that now?' It's because I never have!
I can make 10 jackets of the same colour, same two pockets and same length, that will look like 10 completely different jackets when you put them on. It's about the way they are cut - it makes them look and feel completely different and move differently, and that's a never-ending study. People who wear my clothes will know exactly what I mean.
The Anglo-Saxon has established himself in climates totally diverse - Canada, South Africa, and India - and, through several generations, has preserved his essential race characteristics. He is not, of course, superior to climatic influences; but even in warm climates, he is likely to retain his aggressive vigor long enough to supplant races already enfeebled.
When I've got all the makeup on and all the spit, polish and glue together, I look fine. But I know what I really look like, and I'm still that same little kid under there. I don't think I look that great. I think I did a good job of creating Morgan Fairchild. But I created her.
Let’s think of reverence as awe, as presence in and openness to the world…Try walking around with a child who’s going, ‘Wow, wow! Look at that dirty dog! Look at that burned-down house! Look at that red sky!’ And the child points, and you look, and you see, and you start going, ‘Wow! Look at that huge crazy hedge! Look at that teeny little baby! Look at the scary dark cloud!’ I think this is how we are supposed to be in the world – present and in awe.
I think I would love to do a role where I completely transform myself and look completely different, act completely different, and do some crazy, cool, action drama where I was undercover and saving the world.
People ask me all the time, 'How can I walk in these heels?' I answer with the best compliment I remember that came from a woman who lives here in Paris...I know my street much better. Heels permit me to take the time to look at the architecture of my street. Now I take time to look at things.' High heels give you time to think, to look at your surroundings- a camel has seen more in life than a very quick horse! Women should live to rhythm of high-heeled shoes!
I would say, we have had a lot of problems with radical Islamic terrorism, that's what I'd say. We have had a lot of problems where you look at San Bernardino, you look at Orlando, you look at the World Trade Center, you look at so many different things. You look at what happened to the priest over the weekend in Paris, where his throat was cut, 85-year-old, beloved Catholic priest. You look at what happened in Nice, France.
Travelling is very difficult, you have to go to places with different climates and time zones. Travelling like that every single day through the year is definitely not healthy, but that's something I have to sacrifice if I want to play music.
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