A Quote by Donna Karan
I really feel that we need to scale back and get to what is important on so many levels.
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When you get to the fourth, fifth and sixth years of a show, it's really good to have held back, so that you have somewhere to go. That also applies to levels of violence, levels of humor, levels of production value.
We need to have intimate, enduring bonds; we need to be able to confide; we need to feel that we belong; we need to be able to get support, and just as important for happiness, to give support. We need many kinds of relationships; for one thing, we need friends.
If I'm just trying to get to different levels... and it takes levels to get to levels, and I just have to do what I have to do to keep on climbing the charts and getting where I need to be.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
I went to Everton, and it's levels - the higher up you get, you are under more and more scrutiny as a football player. You have to learn to deal with it at that scale and gradually progress to be able to deal with it at an even higher scale.
Scale is very, very important, like the scale of a person is very important. It's to do with the size of our space, the fact they are big sculptures, they are still human scale.
I feel that business leaders with their ability to create businesses, with their ability to scale, need to play an important role in social service.
It's so easy to practice out of context. For example, if you're learning a scale, you take that scale and you sit in your room and you go up and down the fretboard, over and over. You've gotta do that, because you need to get that scale working. But you have to keep in mind that that's not the finished product. That's the starting point.
If you need scale in order to create value, it's hard to get scale, because there's little incentive for the first people to use the product.
Artists are part of the information process... Visual history is important in providing a record of what is going on - levels of intention, levels of confidence, levels of aggression or control.
They really do feel under attack, rank-and-file officers and much of American police leadership, that they feel they're under attack from the federal government at the highest levels. So that's something we need to understand also, this sense of perception that becomes a reality.
I have never really liked gigantic-scale painting. I think that so many artists are seduced by scale - "Well, if I make it that big then it has to go in a museum."
It's an awful feeling to write something that you feel is really important... and to feel that you're being published by people who really don't get it and/or don't really care.
On a deeper level, I just feel like women have so many expectations they need to carry, so many different laws these days, and one hand they need to be sexy, and on the other hand they need to behave properly, and on the other hand they need to get what they want and take care of themselves.
I'm usually pretty happy. I don't ever really get disturbed in any way, or feel like I need to go back and change something.
Everything repeats itself. There ain't but so many notes on the scale, there ain't but so many chord changes, for real, and there ain't but so many beats. So things come back to you a different way. Don't matter what they call it.
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