A Quote by Donna Karan

I feel very strongly about dresses on every level - a dress feels like underpinning. — © Donna Karan
I feel very strongly about dresses on every level - a dress feels like underpinning.
The red carpet has become like a parallel business. The next day, there are TV programmes, and magazines, and it's all, 'Do you like the dress or not like the dress?' and 'Did she look fat?' To keep borrowing dresses and jewellery is like a full-time job. And you have to be a fantasy, which you can never be, so you always feel depressed.
God descends to earth like fresh spring rain, and at every level his grace is received differently. For some it feels like love, for others like salvation. It feels like safety and warmth at one level, like coming home at another.
I have a lot of social engagements, and I like to dress up for them. I try to wear what I feel comfortable in, as self-confidence is so much about how you look. Generally, I love to wear long dresses; they make you feel special.
I had a very down-to-earth product, my wrap dress, which was really a uniform. It was just a simple little cotton-jersey dress that everybody loved and everybody wore. That one dress sold about 3 or 4 million. I would see 20, 30 dresses walking down one block. All sorts of different women. It felt very good. Young and old, and fat and thin, and poor and rich.
It's more than just a dress; it's a spirit. The wrap dress was an interesting cultural phenomenon, and one that has lasted 30 years. What is so special about it is that it's actually a very traditional form of clothing. It's like a toga, it's like a kimono, without buttons, without a zipper. What made my wrap dresses different is that they were made out of jersey and they sculpted the body.
In the same way that our school system feels strongly about requiring vaccinations and annual physicals, I feel strongly that it is essential to add a mental health component to that annual physical.
I think that for every artist, it's very important to have an output and to feel very strongly about the music you're producing.
For modeling, I was always creating characters. I dress like a tomboy. So, when I'd go into a shoot, there'd be all these dresses, and I'd say to myself, 'Okay, this isn't me. It's somebody else. So, who is this person?' Acting is the next level of that.
Every writer has characters that they become attached to and that they feel very strongly about.
It's like you're wearing a really amazing dress and high heels and you've just gone to the hair salon and gotten a facial and you feel fabulous, and then someone says, You look really awful. You're thinking, Was I completely delusional? That's what having Lyme disease feels like. It was very lonely and for many years I just didn't talk about the way I felt because I assumed if there's nothing wrong on paper, maybe this is just the way a human is supposed to feel, and I'm just complaining about it.
Yohan Cabaye. He's a French player, and he dresses really well every day. There's no effort. That's how I like to dress.
It's so cliche to say florals for spring. I really like a vintage-like dress that's floral. You can belt it; I like belts. I like wearing pretty dresses that are really comfortable, that you can spend the day in but also feel girly.
The thing I like most about flying in space is not the view. The thing I like about it is doing something I feel very, very strongly about.
I love the idea that we can dress all sorts of people, and they feel great in the dresses, and that make us feel good.
I am just touched at how strongly the real Hed-heads feel. It feels different from other kinds of devotees; maybe it's the way I felt with certain bands when I was a kid. It feels like a band more than a play.
When you feel so strongly about something and other people feel equally strongly, you have to feel stronger about it in order to succeed.
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