A Quote by Donna Lynne Champlin
My first job ever was selling balloons with my brother at parades when I was about six years old. My father wanted us to learn about money, how to make it, save it, spend it, etc.
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The very first idea I ever had about making a film... my first thought about ever being a filmmaker was when I was sixteen years old and I wanted to make a Viking movie. And I wanted to make it in old Norse, which I was studying at the time. It's odd because at that age that's a stupidly ridiculous idea 'cause how will I ever be a filmmaker.
Nothing changed in my life since I work all the time," Pamuk said then. "I've spent 30 years writing fiction. For the first 10 years I worried about money and no one asked me how much money I made. The second decade I spent money and no one was asking me about that. And I've spent the last 10 years with everyone expecting to hear how I spend the money, which I will not do.
What is important for kids to learn is that no matter how much money they have, earn, win, or inherit, they need to know how to spend it, how to save it, and how to give it to others in need. This is what handling money is about, and this is why we give kids an allowance.
I save my money, brother. I don't spend what I don't make.
There have been moments when I was on a modeling job, and it was the most fantastic thing in the world. And there have been moments where I've realized, 'Okay, I'm ten years old, and I've spent the past six hours outside in the rain.' It taught me how to be specific about what kinds of projects I wanted to do and what kind of work I wanted to do.
My first job, 9 years old, part-time, was selling Christmas cards door-to-door. Ten years old, my brother and I had paper routes. We delivered a morning paper called the 'L.A. Examiner.' Get up at 4 o'clock, fold your papers, deliver them and get ready for school.
I saved up my pocket money when I was about five or six years old. I just wanted to buy a CD, and at that age, I didn't care about what it was, and I ended up buying 'The Teletubbies Say 'Eh-Oh!'' I started off strong.
I came into business to make money, I make no apology for that. I wanted to make a lot of money but after the first £50million or £100million, it became less about making money and more about having fun.
As an actor, you're not a person; you're a product, a commodity. It's about money. Your job is about making money for other people. At some point, you learn how to be on the other side of that table. You write, direct, produce, and create opportunity for yourself. Then you start to make money for yourself.
I'm sixty-eight years old. What I do now will be read by unborn generations for hundreds, perhaps thousands, of years. For me, it's not about my work - that is, it's not about Wayne Dyer's work, how much money I make, how well I do, or how well my products do.
I'm very organised with my money. It can sometimes feel like a full time job to keep on top of it but my best tip is to stay organised and always save first and then spend what you have left not spend and then save what's left.
Today, professional football is about profit and making money. But it's not about how much money you spend, it's about how wisely you spend it.
My earliest memories are of my brother, pointing the home video camera at me and saying, "C'mon, Ange, give us a show!" Neither of my parents ever said, "Be quiet! Stop talking!" I remember my father looking me in the eye and asking, "What are you thinking? What are you feeling?" That's what I do in my job now - I say. "OK, how do I feel about this?" And I immediately know, because that's how I grew up.
When I first got to WWE, the head of talent relations was John Laurinaitis, who is now my father-in-law, and the first thing I thought when I saw everything that he had to do is, I thought, 'I would never, in a million years, ever want that job. You could not pay me enough money to have that job.'
I lost my brother in a car wreck when I was 14 years old. When I decided I wanted to be a country singer, my dad always told me, 'Son, you should write a song about your brother.'
I grew up in the Southwest Bronx. Father an accountant, mother a schoolteacher. Brother was six years older, which explains why I gobbled crystal meth at 12, smoked hashish at 13, and was shooting smack at 17, which explains how I got Hepatitis C, which was the basis of my first book, which was a humor book about dying.
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