A Quote by Donna Lynne Champlin
One of the most amazing things about 'Crazy Ex-Girlfriend' is that every song is an original. There are no covers. I think 'Glee' had to deal with forcing covers into their plotlines. That can be difficult to pull off.
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I think the transition between singing covers on a reality show to being able to do my own thing was really exciting. I'm no longer singing covers every second, and people are actually getting to hear my own original music.
'The Last Five Years' is this quintessential piece, and every song is an actor's song, and every song is incredibly difficult and incredibly powerful and incredibly amazing. It was one of those things in college where, like, you gauged how good you were by how well you were able to pull off a song from 'The Last Five Years.'
Adrenaline is wonderful. It covers pain. It covers dementia. It covers everything.
Covers, so many covers, so many different, delectable pictures, and although, metaphorically speaking, it is the thing I hate most, when it comes to literature I always judge books by their covers. First the cover will catch my eye, then I read the back of the book, and then finally the first page.
You'd think with all the magazines and the covers and all the sexy stuff I've done, that that's hugely a part of me. But even though I've played those roles and I've dressed up and been on the covers of these things and done this and that, it is all such pretense. So I just thought, "I can't be one of those girls. I wear bib jeans. I don't wear underwear like that. I don't move in the world like that." You know, I'm more bare-footed Rastafarian, crazy.
The classical music industry, has been an industry of covers. So we do covers, and if I compare this with the rock and pop side, what is the most exciting event?
I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
My idea of covers is that you should never cover a song and do it exactly like the artist because everyone's always going to compare it to the way the original artists did it, and they're just going to go, 'Oh I like the original better.'
In those days I was new to covers; merely felt pleased that a story of mine had been honored. I later met Rogers who did some of my early covers and I was impressed with him.
I've always loved doing covers. Some artists don't like covers. Some listeners don't like covers. But I love them. It gives you a new perspective production-wise. It's easier for me, if I'm starting a new record, I like to produce a few songs that aren't mine just so it frees me up not to worry about it so much.
The thing about covers that's relatively important to remember is that it doesn't matter how good an artist you are: if you don't have good ideas, the covers don't stand out.
I think all the covers I do have nice sentiments, particularly 'Your Song.' People write me very sweet messages about that song, though I'm sure there are people out there saying that I've ruined it too!
I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
Alejandro Colucci has designed covers for my books that stand out, that catch the eye, and that make me, as a reader and consumer, want to know more about the books behind those covers.
I have always felt that effect covers are very good covers. They bring you into the story if you pay attention to them.
When I was a street performer, before I had any songs of my own that anybody would stop and put in money for, I would always be doing covers. Even with covers, people wouldn't stop in the beginning.
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