A Quote by Donna Lynne Champlin
Acting I never worried about, but it's so strange that on-camera work is so much more technical than theatre work, which I would have never thought in a million years.
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I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
I feel like doing theatre helps my on-camera work and my on-camera work kind of helps my theatre work. So I love to be able to bounce through the mediums.
Most men have worried about things which never happened, and more men have been killed by worry than by hard work.
Since puberty I've always had this strange awareness that all the keener experiences I would have in my life would happen later than it would to my contemporaries. When it came to the career thing, I never worried about it. It's better if you're still peaking when you're 60, which I feel I am.
That's something that I never thought I would have in a million years. We've done Gold before with 'Used To Love You Sober,' which I thought was awesome, but you don't realize once you get to Platinum, and you see the number difference between 500,000 and a million.
I never thought I would be the oldest quarterback in the National Football League at one point, not in a million years. I never thought I would play as long as I did, either, seventeen years from start to finish, with stops in Houston, Minnesota, Seattle, and Kansas City.
I have an appreciation for what some people would call "bad acting," but which I think can be much more real than the overly emotive, technical and supposedly "realistic" acting that is so prevalent in mainstream cinema.
I knew it was going to be enormous because of the number of people who bought the books, but, to be honest, I never thought it would be bigger than Bond. Never in a million years.
Most of the people dishing out judgment have no working experience of the theatre, have not written a professional play, a sketch, or even a joke; have never worked in a theatre, taken an acting class, or published any extended piece of work. They are creative virgins; everything they know about theatre is book-learned and second-hand.
Work is rich. It can be looked at psychologically or philosophically or personally. The interpretive nature of work is different than the work itself. The interpretation of work isn't the key to understanding it. I'm worried about making a good sculpture. I'm not so worried about the interpretation of it.
A lot of people think theatre must be much harder work than film, but anything histrionic or superfluous gets seen on camera so you have to work to distil it into a complete sense of what's true.
It is a juggling act and I have been in it for 12 years now, which is about 11 years longer than I thought I would be, and then the priority there is thinking how can I stay somewhat irrelevant so that you can continue to survive and can continue to work and put yourself in a position to get to do the work you are truly passionate about.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
All I thought about when I wrote my stories was, "I hope that these comic books would sell so I can keep my job and continue to pay the rent." Never in a million years could I have imagined that it would turn into what it has evolved into nowadays. Never.
I did spend about 5 years in the Griffin Theatre Company in 1978 actually , and worked therefore about 5 years on a voluntary basis. This was very much as a amateur, doing things like mopping the floor, handling props, setting up scenery, etc. I never acted, and don't think I'm an actor, but those years in the theatre taught me a lot about professional theatre.
To the distracting occupations belong especially my lecture courses which I am holding this winter for the first time, and which now cost much more of my time than I like. Meanwhile I hope that the second time this expenditure of time will be much less, otherwise I would never be able to reconcile myself to it, even practical (astronomical) work must give far more satisfaction than if one brings up to B a couple more mediocre heads which otherwise would have stopped at A.
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