A Quote by Donna Lynne Champlin
I've become accustomed to not being cast for television and film because of how I look.
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I started in theatre, moved into film and television, and started doing voice work, which is funny because after a long time in film and television, you forget how much you rely on just a simple look on your face.
The fact that we can become accustomed to anything, however disgusting at first, makes it necessary to examine carefully everything we have become accustomed to.
... we become so accustomed to meet with injustice, and, if we are at all sincere with our own hearts, are so conscious of being guity of it ourselves, that we learn to look upon it almost as a necessity.
Theater will cast in a more open way; Denzel Washington might play Richard III. Television and film don't really cast openly like that. The theater world has always been a leader in diversity.
I was certainly typecast for a while on television because I was always being cast as the compassionate mother or whatever.
I was certainly typecast for a while on television because I was always being cast as the 'compassionate mother' or whatever.
I remember being cast in the first "Harry Potter" film and being quite amused, because I was imagining that someone who'd been acting since they'd been crawling would be cast. The faith and trust that they'd put into everyone actually enabled you to gain confidence back, in the sense of feeling that sense of achievement, which is incredibly hard when you're young.
I didn't dream of being in television or film. But then I got married pretty young and had children, and I wanted to feed the children, so I worked a lot of film and television.
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
Because of the power of television, I was visible to everybody all over the world. But there are many things in the theater that are more fulfilling and that I look forward to doing more. But really, I love it all: theater, film, television.
When 'Sahib Bibi... ' was being cast, I wanted to do Chhoti Bahu's role, but Meena Kumari had been cast. So I didn't think I would be part of the film.
I had fears going into television that it might become boring to me, and I always like to be challenged, push myself. You do a film, and you know where you're going; you have this material to stretch and play with as much as possible because you know how it ends.
When I first started acting, I had all these ideals about the kinds of roles I wanted to play, but the reality is that when you do television - and I do a lot of television - you get cast for qualities that you have as a person. So I look for qualities that I like to portray.
Suddenly, after years of television being the poor relation and film being everything, it now feels like film is a conjuring trick. It's like, "Oh, my god, how are you going to do that in 90 minutes, as opposed to eight hours?! I've got so little time to do this!" It becomes an art form, in itself. Doing both helps you do each one.
Film and television are just different. Film is cool because it's a complete package. You know the beginning, middle, and end. You can plan it out more, which I like. But with television you get a new script every week, so it's constantly a mystery as to what you're going to be doing.
It makes sense that it's so different from film and television, because it's so in-depth. As actors, when we're in film or television, we can have transcendent moments and we get to work with really creative and incredible people, but it's such a small percentage of your time that's about your process.
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