A Quote by Donna McKechnie
Doing a musical is not just acting. It's total theater. When you have to justify the enormous projection of energy it takes to just go into song and dance, you realized why it's such a humbling experience every time you go into a show.
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When writing I just go with the song. I go with the song and try to tell the story. So the story may be "Wonderful Baby", which is a little song. Or it might be a gentle song, "Empty Chairs". Or it might be a rock and roll song like "Prime Time" or "Run, Diana, Run", or "American Pie". I don't know where it's gonna go. I don't have any idea what I'm doing. I just do it. I just keep doing it. I keep taking adva
When I was younger, I definitely thought musical theater was sort of more pure than film. I used to say I'd never go to film because we had to get it right the first time in musical theater. But then, of course, I started doing film and realized I loved it. Keep in mind that I was 8 years old when I said that.
I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.
I can destroy a dance floor. I think life should be a musical. I always hate it when people watch a musical and they go, 'Oh, it's so unrealistic, no one just breaks into song in the middle of their day.' Yeah, they do- if they're me.
From a young age, I had done a lot of theater and musical theater. I wasn't really sure what I wanted to do with my life, but every time I was away from acting, I just felt very incomplete and a little stir crazy.
I hoped that I could learn how to combine an education with acting. But I was unhappy with the direction I chose, so I decided to take on a six-month tour for a musical theater performance, thinking that I'd go back to university in a year. That became two years, then three years, until I really realized I am already doing what I love doing.
It takes an enormous amount of energy, creative energy withdrawn from the total economy of the person, to hold a trait underground, and, unfortunately, needs and drives do not go underground alone; they carry with them useful parts of the personality, depriving it of richness and the possibility of a variety of response.
Dance was one of the things that led me to acting even though I say I fell in love with acting fairly early on and its true but around 16 and 17 I got heavily into dance but I think I just came into it too late and I was never going to be really great at it so I let it go and the dance led to more acting classes.
I came from the musical stage. My first show was '110 In The Shade.' I started as a ballet dancer and then sort of gravitated toward musical theater, so any time I got asked to sing or dance, it was a joy for me.
I've always liked musical theater, and getting to do stuff like that where I can just dance around and just be crazy is just super fun.
Early on in my career, I'd go into the makeup trailer, and they'd spend an hour doing my makeup, and I would hate it. I'd go into the bathroom, wash it off and start over again, which took an enormous amount of time. So I just started doing it myself.
There were days on that show where I had to go in and record a song, then I had to rehearse the dance for that song, and then I had to go and shoot a separate scene. That would be one day. So yeah, it was about the value of time and being prepared, and not to freak out.
An acting assistant stage manager in a theater in Canterbury, a rep theater. A small wage but just enough to get by on, and I made props, and I walked on, and I changed scenery, and I realized that I just loved it.
An acting assistant stage manager in a theater in Canterbury, a rep theater. A small wage but just enough to get by on, and I made props and I walked on, and I changed scenery, and I realized that I just loved it.
My mom thought I could dance because I used to dance to this Janet Jackson song she'd play when I was a baby. Then she would take me to a Saturday dance school. I used to go every week and got spotted by a scout, who suggested I audition for the role of Billy in 'Billy Elliot the Musical.'
With dance, you learn to channel nerves into energy, excited energy. It's sort of similar when you walk into an audition room, to be able to go takes deep breath and then go in real calm. It was in those ways that it really helped me.
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