A Quote by Donna Mills
I was always cutting dialogue out when we were rehearsing, and when I produced movies, too. I felt that people don't say things in life - they act, they do things. I always wanted my characters doing, rather than saying what they were doing - which was redundant.
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I always feel, I guess being a product of the movies of the 40s where movies were the greatest things and screens were big and palaces were palaces and stars were larger than life that reality was so much inferior to what we felt was conceivably possible from what we had seen in the movies.
The secrets that the characters hold are held back from the audience, and that's such a delight to hold onto. When you're playing scenes, it gives you an inner dialogue that allows you to really immerse yourself as the actor, in every scene that you're playing. Nothing felt expositional. Nothing felt like we were just doing it to move the story along. There was a reason these characters were saying what they're saying. It was a gift, really.
I've always liked the idea of regularly doing a play but I was offered things which I felt were too 'celebie' and West Endy.
You always think that 70 is the end of the road: 'Somebody died when they were 73; good life'. You're closer to death, and you better make sure you don't waste too much of your time doing things you don't want to do. No point in saying things you don't believe in.
I was always excited about doing things with people that were ahead of their time, that were sort of out of sync with the rest of society.
When I started off in journalism, you knew there was an audience out there and that you wanted people to read what you produced. But it also felt like you had a limited ability to shape the audience, or to acquire an audience, for what you were doing. So you didn't really think too much about that.
I went through a period when I felt my film characters were having more fun than I was. It might partly explain why I ended up tattooed or doing certain extreme things in my life.
We too often let the material things serve as indicators that we're doing well, even though something inside us tells us that were not doing our best. That we are avoiding that which is hard, but also necessary. That we are shrinking from rather than rising to the challenges of the age.
I guess the things I have always loved are from people who were just being themselves. They were doing these things because they couldn't do it any other way. It was for them.
I always wanted to act, but it was not because of the influence of my family. I just wanted to act since I was four! I used to watch a lot of movies. One of the things that attracted me were the songs picturised on 'Govinda' and Karisma Kapoor, who would dance in the middle of the street!
And during the campaign of 1936, she writes that she and her brother would always rather be out doing things when they're sick, rather than take to their beds. And I think Eleanor Roosevelt always responded to pain by doing more, by doing something, by being active. And I think she just couldn't bear to look at her childhood grief. And she didn't.
I would say 'struggling' is a good word. We were all struggling to keep doing what we were doing, and more things were expected of us. I mean, one of the big things was how in the world are we going to top 'Hotel California?'
I guess I would just say that in general, one of my weaknesses is that I love everything. There's too much of everything to keep up with it all. I get bored with Silicon Valley technology a lot. I've always had much more of a draw to the people who are doing things for love than the people who are doing things for money.
My first experiences with fashion were dressing up. It was always about fantasy for me. Dressing up as characters . . . I always thought that's what clothes were - that they would make you into the person you wanted to be. I'm an actress, so I love to act, and I think that's one of the most important things - the thing that makes you feel like another person.
I had spend a lot of time looking at things intellectually, coming from the head, let's say, rather than the heart, and saying things that way. Turns of phrases became paramount to any kind of feeling behind them, which is not to say they were all devoid of that.
I was always attracted to characters that were in some level of turmoil or suffering because I had so much of that in my own life and I wanted to channel it. I was always into darker things.
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