A Quote by Donna Murphy
I think all villains have something in common: they have something that they need or want very, very badly. The stakes are very high and they are not bound by moral codes or being ethical, so they can do anything and will do anything to get what they want.
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What I need is a woman who is something, anything: either very beautiful or very kind or in the last resort very wicked; very witty or very stupid, but something.
All over the world, relationships between men and women are very, very tricky and very difficult and you don't learn anything. It's not an exact science, so you can't learn anything. You're always going by instinct and your instinct betrays you because you want what you want when you want it.
To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize. So if I do something, it just has to be something I love and I don't want anyone else to do. When I open projects, maybe something will appeal to me. I think I'm not opening them because I don't want anything to appeal to me right now.
I think you can have your career and still bring to your family something very, very special. There are some people who are born mothers, who don't want to work and just want to stay at home, and that's fantastic, but for me it was something very difficult.
You're a very difficult person to manipulate, you know." "Nonsense," he said. "You just have to promise me that I won't have to do a thing, and then I'll do anything you want." "Anything?" "Anything that doesn't require doing anything." "That's nothing, then." "Is it?" "Yes." "Well, that's something.
Just don't let anything get in the way of what you want to achieve. A lot of people get knocked back by friends, or family, or peer pressure. If you have a talent and want to do something with it, it's down to you. If it's what you really want then go after it and be very selfish... You have to remain committed, you have to stay focused and you have to be selfish.
I'm a guy who works very hard and if I want something bad enough, I'm going to do anything possible to get it.
I have a reputation for not turning up to sing. It's something I want very badly to get rid of.
I write in spurts. I write when I have to because the pressure builds up and I feel enough confidence that something has matured in my head and I can write it down. But once something is really under way, I don't want to do anything else. I don't go out, much of the time I forget to eat, I sleep very little. It's a very undisciplined way of working and makes me not very prolific. But I'm too interested in many other things.
There's always very high tension with dance auditions! You're in a group, watching the people in the front of the room, hoping you'll get something, anything that will relieve a bit of the stress.
I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
I believe that science fiction is as profound as you want it to be or it can be very simple entertainment, and I'm all for very simple entertainment. Every now and then we all need to come home, veg-out, watch something and not think too deeply about it. It's what you want it to be. We tend to steer clear of being pedantic; it's entertainment first, otherwise we'd be on a lecture circuit.
The mistake many people make when they go to a bespoke tailor is they often think they need to do something special - either an interesting design feature, or a particularly interesting or unique-looking cloth. I say do the opposite. Stick to something really simple, because this will be a suit that you will really want to wear, so start with something very straightforward and you will get an enormous amount of joy wearing it.
I am in a space now where I can try anything; and with Pink Floyd we've always been in a space where we were able to try out anything. I think we were very young then and we were very keen to experiment and try things out. It seems to me that this sort of experimenting is like working yourself towards something and trying to find what you like and what you want.
You have to remain strong. That's the kind of filmmaker I want to encourage. Orson Welles was the one who said, you know, you can learn anything you need to know about filmmaking- that's camera, sound, celluloid, video at this point- in four hours. It has nothing to do with anything. It has nothing to do with it... It has to do with what you want to say. If you feel you have something to say, you'll find that way to get it said, on film, and not let anyone or anything chip away at that or tarnish it, because it's something special and precious.
I don't view the fans in the way that most performers do. As a mass of people who have paid money, I know what they want. It's a very, very, very, very, very low common denominator.
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