A Quote by Donna Shalala

I try to deal with my serious reading before work. — © Donna Shalala
I try to deal with my serious reading before work.
If you re-read your work, you can find on re-reading a great deal of repetition can be avoided by re-reading and editing.
I get up late, have an espresso, and immediately start work. I try to get roughly caught up on email before I leave the house, then if I need to write anything or review a complex deal, I do that, and then I head to the office and work on my top few priorities for the day. I try to schedule my meetings in the afternoon.
I do believe that one's writing life needs to be kept separate from Po-Biz. Personally, I deal with this by not attending too many poetry readings, primarily reading dead poets or poems in translation, reading Poets & Writers only once for grant/contest information before I quickly dispose of it, and not reading Poetry Daily. Ever.
When I meet people I try to make a joke out of my occupation, explaining that what I do all day is sit alone in a darkened room, flicking through some pages, jumping on a treadmill now and then. I keep my serious work as a writer private, but that doesn't mean it's not serious work - quite the opposite.
Before I was reading science fiction, I read Hemingway. Farewell to Arms was my first adult novel that said not everything ends well. It was one of those times where reading has meant a great deal to me, in terms of my development - an insight came from that book.
It is an admonition to myself when I am reading other people's books. Writing a book is very difficult to do, even a bad one. I try to remember that when reading someone else's work.
I don't believe in "writer's block". I try and deal with getting stuck by having more than one thing to work on at a time. And by knowing that even a hundred bad words that didn't exist before is forward progress.
Excessively narrow reading is unhelpful, certainly. Reading only Serious Literature is no better than reading only trash in this respect.
The reader has to be creative when he's reading. He has to try to make the thing alive. A good reader has to do a certain amount of work when he is reading.
Every actor has to deal with what's on his plate, and I try to deal with doing the best work possible with the most challenging scripts. I don't base it on whether it's a feature film or a TV-movie or cable.
Making the decision to do more serious work raises eyebrows. It's less easy for the industry to deal with.
Light reading is not to be avoided but should be used as a conduit to more serious reading.
I guess you kind of got to realize that once you in a marriage, whatever it is, you gotta deal with it. Not necessarily that you got to accept it, but you have to deal with it and try your best to make it work for you, for the both of you.
The reader must come armed , in a serious state of intellectual readiness. This is not easy because he comes to the text alone. In reading, one's responses are isolated, one'sintellect thrown back on its own resourses. To be confronted by the cold abstractions of printed sentences is to look upon language bare, without the assistance of either beauty or community. Thus, reading is by its nature a serious business. It is also, of course, an essentially rational activity.
The White House is a serious place, with serious people, doing serious work. If you're not careful, it can grind you down.
Before you speak, listen. Before you write, think. Before you spend, earn. Before you invest, investigate. Before you criticize, wait. Before you pray, forgive. Before you quit, try. Before you retire, save. Before you die, give.
This site uses cookies to ensure you get the best experience. More info...
Got it!