A Quote by Donna Strickland
I think we've been pushing for a lot of years and I do feel like women's lib was talked about a lot in the 70s and I certainly always felt that, you know, as a woman, I could do whatever the heck I wanted.
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I've talked to a lot of other women in the field of comedy and none of us feel like being a woman has been a barrier to success in our lives. I can't claim to feel like I've been under some man's thumb in comedy. I've sort of always done my own thing for better or worse, and have been lucky enough to be able to perform ever since. So I'm not surprised by all the articles, but I don't know if it's necessarily true. It's not like we haven't been around.
I've always been interested in Vietnam, feel it's a seminal event in our nation's history, and have explored it over the years - but I hadn't been interested in doing a documentary about it. I felt there had been a lot done about Vietnam, and didn't know if I could add anything new to the discussion.
I never pictured myself as just a rapper; I always wanted to act and do whatever else I could do. I always felt like I could do a lot of different things.
No woman ever lived who could compete with a man on an equal basis - even a 55-year-old man. There's a lot of talk about Women's Lib. They feel they're worth as much as the guys, but they can't play a lick if they can't beat a 55-year-old guy.
She's the coolest person in the world...I don't date what the person does...You know what I mean? I could have been a zitty teenager and walked into a Tower Records, and we would have talked about Pearl Jam, and we would have fallen in love when we were 15. And that's when you know. It's like, oh, my God, game over.... Listen, there are a lot of women in this country, in many countries, who date men for their money. Okay? That's despicable. Right? That's not what we're talking about here. Whatever does it for you, man.
I've always felt like a kid, and I still feel like a kid, and I've never had any problem tapping into my childhood, and my kid side. And I think that's a very universal thing, I don't think it's unique to me at all. People I've talked to in their 60s, 70s, 80s, and 90s have all told me "You know, I still feel 20." So I don't expect that I'm going to be any different.
My mother really didn't know a heck of a lot about business. She was a very good mother, that made sure we ate right and we had our cod liver oil, but didn't know a heck of a lot about what I did.
My standup is years and years of me working things out on the road. I'm really proud of it! A lot of it is about, well... I don't know why I feel this way, but I feel like every special or show I do is some variation on how I feel like I'm not a girl, not yet a woman.
I mean we certainly always shoot a lot of extra material, but our goal was to make kind of like a big kind of rock-and-roll road trip comedy that has heart and that has hopefully you feel bad for Russell and you feel bad for Aldeus and also I wanted to surprise people with some of the turns in the movie and I think when I watched it with audiences they certainly...the reactions made me think that we did and so all that I'm just very excited about it.
I think a lot of women could be making great music but still don't feel like they're capable - in fact, I know that's the case for a lot of young girls who try to do music.
I can look back at different times in my life when I felt I could not find my way out of whatever it was. I'm not necessarily talking about marriage, but I wanted to pack it in. I wanted to disappear. A lot of that has to do with being in the public eye.
Panic! at the Disco, for me, has been an outlet to do whatever. I never felt like there were any rules. It was always carte blanche. I could do whatever I wanted. There were no rules set yet for the band. It just felt right.
I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is.
Heterosexual women ask questions that are a lot to do with what I did to my body and what that was like to lose all that weight and so on. To me it just reveals that that's a preoccupation of theirs. Or gay women have been really keen on knowing how I felt about playing a gay character and have often wanted to talk about their own experiences with children. Straight men have often shown some sense of relief, that they get to experience the philanderer as a woman and not have to judge her in the same way. That's fascinating to me.
I think female solitude is a mental condition as well as a physical state. You can be married and a spinster. I think spinster is an identity every woman can claim, if she will... I feel like a lot of women, or a lot of feminists, joke about taking to the sea or living alone in a cottage as this kind of fun freedom.
I do talk and think a lot about the legacy before me. I feel like if I didn't know that people had been in Montgomery sixty years ago trying to do similar things that I'm trying to do, with a lot less, with fewer resources, with less security, with less encouragement, with less opportunity - if I didn't know that, then I think doing what I do would be much, much harder.
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