A Quote by Donna Summer

It would be nice if you have a hit. But I don't think it's necessary to continue with my career at this point. — © Donna Summer
It would be nice if you have a hit. But I don't think it's necessary to continue with my career at this point.
I think it's really important to remember that it's a long life, and it's a long career. In a perfect world, your career will be long. It does not begin and end with any one job. The point is to continue to have longevity in your career.
Teams are going to try to hit me because they think I can't take a hit. I think I've proven over my career that I can.
Beyonce is my role model. You know how people say, 'What would Jesus do?' I always say, 'What would Beyonce do? In her career, what decisions would she make?' And I really think it helps me guide my career and be really nice to every fan and every person that I work with.
If the javelin had hit me 10cm to the left, it would have punctured my lung, 20cm higher the throat, which would have been the worst-case scenario. Just 1cm higher and it would have hit bone, muscle and tendon and that would have been the end of my sporting career.
Secretary of Defense Donald Rumsfeld said any assumption that the US would not use force against North Korea would be a mistake. Such bellicosity frightens liberals. The left's reaction to nutty despots is: he might hit me, so I'll be nice. Rumsfeld's idea is: He'll hit me? Maybe I'll hit him. The beauty of that approach cannot be denied.
It's hard to sit back and just go through your whole career, because everything's always moving so fast. But the odd milestone is always a nice moment, and when you look at the previous players to have hit those kind of milestones, it's nice to be in that company.
If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then hit it a third time - a tremendous whack.
And I mean, I'm established. So I'm not worried about having a hit at this point in my career.
I want to write my own stuff, and, you know, it would be nice to put myself in it. But I would like to hope that there are going to be better roles offered as well and that I don't need to do everything. You know, like, I appreciate my career being somewhat DIY, but it would be nice to get some help.
There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
Oh, I think Neymar would be a nice guy I'd like to meet. Messi, too. Cristiano Ronaldo. I think they are guys that their lives would encourage me. They would be nice people to meet and know more about their stories, to evolve and grow more with their stories. I think it would be cool to meet them.
It would be a nice way to finish my career by remembering that I batted cleanup in the game in which my team won the World Series. But I now am convinced that I can still help, and if the right situation presented itself, I would have to think seriously about it.
I stopped playing in the Masters in 2004, I stopped playing in the Par-3 [Contest], and now it's time to end this part of my Masters career. I would love to go on doing it forever, but I don't have the physical capability to hit the shot the way I would want to hit it. So I'll have to be content to watch.
By this point, it was clear she wasn't interested in continuing the relationship. What publication on earth would continue a relationship with a writer who would refuse to discuss her work with her editors? What publication would continue to publish a writer who attacked it on TV? What publication would continue to publish a writer who lied about it - on TV and to a Washington Post reporter? ... It's true: Ann is fearless, in person and in her writing. But fearlessness isn't an excuse for crappy writing or crappier behavior.
I think a global season, moving it a bit towards summer, can only be a good thing from a playing and commercial point of view, but it would take a massive shift, and I do not know if it would happen in my career.
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