A Quote by Donna Tartt
...with a grief no less sharp for not being intimate with its object.
Related Quotes
Meditation is object-less. If you use any object, then it is not meditation; it becomes thinking. It becomes contemplation; it becomes reflection, but not meditation. This is the most essential point to be understood. This is the essence of a meditative state: that it is object-less. Only consciousness is there, but not conscious ABOUT anything. Consciousness without being conscious of anything - this is the nature of meditation.
Hatred is the fury of those who do not share our goals, and its object is death and destruction. Anger is a grief of distortions between peers, and its object is change.
I loved you so much once. I did. More than anything in the whole wide world. Imagine that. What a laugh that is now. Can you believe it? We were so intimate once upon a time I can't believe it now. The memory of being that intimate with somebody. We were so intimate I could puke. I can't imagine ever being that intimate with somebody else. I haven't been.
In the history of thought and culture the dark nights have perhaps in some ways cost mankind less grief than the false dawns, the prison houses in which hope persists less grief than the promised lands where hope expires.
Nothing is more maddening than being questioned by the object of one's interest about the object of hers, should that object not be you.
No human being who is in their centre can be hypnotised. That's what needs to be remembered. No human being who is in their centre, who is being guided, who is close to their intuition, who is a sharp, critical apparatus, who has got a sharp sense of judgement, can ever be manipulated.
Somedays, if bitterness were a whetstone, I could be sharp as grief.
You can go from object to object, from plant to plant, from animal to animal and regard them as symbols for the spiritual. In this way, you make your imaginative capacities fluid and release them from the sharp contours of sense perception.
The less a man is willing to give up a sex object, the more he'll be trapped into becoming a success object.
A perfume is an intimate object, it is the reflector of the heart.
Funeral expenses are the curse of the poor everywhere on earth, they are wasteful and unnecessary, they are the price of foolish ostentation and a display that is less an evidence of grief than a vulgar travesty of those pompous obsequies where no grief is.
I guess my weirdest fear is accidentally ingesting a sharp object.
I do think there's a relationship between a book and a reader that's more intimate, in many ways, than the relationship between an audience member and a play - just by the nature of it being an object that you can have in bed with you and that you can keep and page through.
Of course, pictures of objects also have this transcendental side to them. Every object, being part of an ultimately incomprehensible world, also embodies that world; when represented in a picture, the object conveys this mystery all the more powerfully, the less of a 'function' the picture has. Hence, for instance, the growing fascination of many beautiful old portraits.
The heart is an artist that paints over what profoundly disturbs it, leaving on the canvas a less dark, less sharp version of the truth.
Grief is real because loss is real. Each grief has its own imprint, as distinctive and as unique as the person we lost. The pain of loss is so intense, so heartbreaking, because in loving we deeply connect with another human being, and grief is the reflection of the connection that has been lost. We think we want to avoid the grief, but really it is the pain of the loss we want to avoid. Grief is the healing process that ultimately brings us comfort in our pain.
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