A Quote by Donna Tartt

Always remember, the person we’re really working for is the person who’s restoring the piece a hundred years from now. He’s the one we want to impress. — © Donna Tartt
Always remember, the person we’re really working for is the person who’s restoring the piece a hundred years from now. He’s the one we want to impress.
I live for the moment. I'm basically a Buddhist-type person. I'm just here right now, and I don't think about what's going to happen a hundred years from now. I try to concentrate on what's going on right now. But I'm really trying to run this company like it is going to be here a hundred years from now. That's what's important.
I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves.
I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
A Hundred Years From Now Well a hundred years from now I won't be crying A hundred years from now I won't be blue And my heart would have forgotton she broke ever vow I won't care a hundred years from now Oh, it seem like yesterday you told me You couldn't live without my love somehow Now that you're with another it breaks my heart somehow I won't care a hundred years from now * Refrain Now do you recall the night sweetheart you promised Another's kiss you never would allow That's all in the past dear it didn't seem to last I won't care a hundred years from now * Refrain
Sometimes, you have to step outside of the person you've been and remember the person you were meant to be. The person you want to be. The person you are.
America already holds the record for freak movements. Now we have a new one. It's called "Restoring Confidence." Rich men who never had a mission in life outside of watching a stock ticker are working day and night "restoring confidence." Writers are working night shifts, speakers' tables are littered up, ministers are preaching statistics, all on "restoring confidence."
I always think to myself, being human, having crushes now, what is it about that person that I really want? What do they represent? More freedom? Someone to care for me more? It's never really about the person.
Five hundred years ago a person in error was a person searching for the truth.
Remember that there is only one important time and it is Now. The present moment is the only time over which we have dominion. The most important person is always the person with whom you are, who is right before you, for who knows if you will have dealings with any other person in the future? The most important pursuit is making that person, the one standing at you side, happy, for that alone is the pursuit of life.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
If a person is working toward a predetermined goal and knows where to go, then that person is successful. If a person does not know which direction they want to go in life, then that person is a failure.
Yeah, 'Mine' was inspired by a person, but it became much deeper than that. I obviously pulled lyrics... from stuff I was actually saying to this person and feeling about this person, but it was for people. I didn't want to make that song to impress that girl; I wanted to make that song to make people feel better.
If you really love someone, even if you can't see where you'll be or what you'll be doing twenty years from now, you'd still want that person to be there.
God has been very good to me, for I never dwell upon anything wrong which a person has done, so as to remember it afterwards. If I do remember it, I always see some other virtue in that person.
I was working full time and going to school at night and on the weekends. It was just crazy. At one point a month had gone by, and Marc - my then boyfriend, now husband, and I hadn't gone out on a date. I was like, I don't want to be this person. I want to be a person who cares where she's investing her time and energy. And I want to be a good wife, daughter, and friend.
I think in a way the great irony or paradox about America is that it makes it so hard for the sensitive person, the artist, the impressionable person, the person whose raison d'etre is to incarnate the creative will, rather than to just make money, and yet that extreme difficulty that the culture poses for us has created some of the best artists in the last hundred years.
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