A Quote by Donna Tartt

The trouble is when people read about authors, they don't feel compelled to read the authors' work. — © Donna Tartt
The trouble is when people read about authors, they don't feel compelled to read the authors' work.
I like to read biographies of authors that I love, like Richard Yates. I also like to see what non-fiction authors are out there. My bible is Something Happened. It's one of the greatest books I've ever read. But if I don't read a Dostoevsky soon I'm going to kill myself.
I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet.
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
Read. Read. Read. Just don't read one type of book. Read different books by various authors so that you develop different styles.
It is easy to club people together, but there are bound to be influences of authors you've read. I grew up reading fast paced authors such as Sidney Sheldon and Jeffrey Archer, but to say I'm one of them isn't true; my style is intrinsically my own.
I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.
I think it's always good to read local authors or relevant books. In Egypt, I studied hieroglyphics and read everything about the mummies.
Read the books you love, tell people about authors you like, and don’t worry about it.
Authors are influenced by everything they've ever read. If you've read widely enough, it helps you create your own mix.
In quoting of books, quote such authors as are usually read; others you may read for your own satisfaction, but not name them.
In India, we don't read thrillers; we read authors.
I particularly love where I work because I was born, raised, and still live in the Bronx. I work in a Bronx location, so it's very fulfilling to me to be working in my home borough, and working with kids that are a lot like me and who can see themselves in me. My own teaching philosophy is to expose them to books that they might not otherwise read, particularly authors of color, authors whose stories are based in New York City.
Meg Gardiner is one of my favorite authors. She always delivers a terrific read. Phantom Instinct should go to the top of your 'to-be-read' pile.
People would react to books by authors like James and Austen almost on a gut level. I think it was not so much the message, because the best authors do not have obvious messages. These authors were disturbing to my students because of their perspectives on life.
Read. Read every chance you get. Read to keep growing. Read history. Read poetry. Read for pure enjoyment. Read a book called Life on a Little Known Planet. It's about insects. It will make you feel better.
It is a good thing for an uneducated man to read books of quotations. Bartlett's Familiar Quotations is an admirable work, and I studied it intently. The quotations when engraved upon the memory give you good thoughts. They also make you anxious to read the authors and look for more.
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