A Quote by Donna Tartt

I think it's hard to write about children and to have an idea of innocence. — © Donna Tartt
I think it's hard to write about children and to have an idea of innocence.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
Childhood is all about innocence. Being constantly surrounded by cameras and shutterbugs, makes children lose that innocence. It's terrifying and worrying, to say the least.
There are no moments more painful for a parent than those in which you contemplate your child's perfect innocence of some imminent pain, misfortune, or sorrow. That innocence (like every kind of innocence children have) is rooted in their trust of you, one that you will shortly be obliged to betray; whether it is fair or not, whether you can help it or not, you are always the ultimate guarantor or destroyer of that innocence.
I write anywhere - when I have an idea it’s hard not to write. I used to be kind of precious about where I wrote. Everything had to be quiet and I couldn’t be disturbed, it really filled my day.
I write anywhere - when I have an idea, it's hard not to write. I used to be kind of precious about where I wrote. Everything had to be quiet and I couldn't be disturbed; it really filled my day.
I prefer to write books for children instead of reading them. But I do strongly believe in childhood and in respecting childhood innocence. I don't like books for children that deal with adult themes.
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
I think every writer's had the experience of having a really good idea, waiting to write it, and then once you write it, you're like, "Oh I kind of got past the sell by date on this." I'm not connected to the initial spark that was the idea. A lot of that's about staying open.
I have a really good idea of who my readers are and always write with a sensitivity to my audience. I use the F word when necessary, but there are words I won't use, mainly because I don't like them. I don't write about body parts when I write about sex. It's not about the physiological, it's more important for teens to read about the emotional aspects. I do think there are times when self-censorship is important.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
The innocence of those who grind the faces of the poor, but refrain from pinching the bottoms of their neighbour's wives! The innocence of Ford, the innocence of Rockefeller! The nineteenth century was the Age of Innocence--that sort of innocence. With the result that we're now almost ready to say that a man is seldom more innocently employed than when making love.
I wasn't thinking about becoming a children's writer. I just have an idea and if it sounds like a kids' book I'll write a kids' book. If it's a film or a play, I'll write that.
I think it's so completely bizarre and arrogant for anyone to ever think that they could lose their innocence, because that implies that they have some sense, some idea of what's going on, and no one has any idea what's going on.
Like the Bible says. A child should be leader of them all, and to be led by that kind of innocence. Didnt Jesus say bring on the children? Be like the children. Not childish, but child-like. That kind of innocence.
Most people think it's all about the idea. It's not. EVERYONE has ideas. The hard part is doing the homework to know if the idea could work in an industry, then doing the preparation to be able to execute on the idea.
There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.
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