A Quote by Donna Tartt
It's hard for me to show work while I'm writing, because other people's comments will influence what happens.
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Obviously, I'm a female in sports. You work really hard, you prep really hard, you put a lot into the show, so when you have certain comments, and people are saying, 'Oh you add nothing,' or, 'You got your job because of this.' Really? Why don't you look at my master's degree?
Writing has nothing to do with publishing. Nothing. People get totally confused about that. You write because you have to - you write because you can't not write. The rest is show-business. I can't state that too strongly. Just write - worry about the rest of it later, if you worry at all. What matters is what happens to you while you're writing the story, the poem, the play. The rest is show-business.
In my twenties, it was so important for me to show people I had all these other books and these other sorts of writing in me, .. A lot of authors, if their first book is a success, they're terrified to write a second one. But in my case, since the first book wasn't considered a literary book, I was really determined to show people I could do other types of writing.
I have had it with people who are threatening me and my kids and my family over simply commenting on the law and criminal procedure, and respecting juries. Because they do work hard. They work way harder than I do; and they work way harder than the rest of those people making those peanut gallery comments.
It's interesting to me that apparently distasteful comments from the Right against weak targets tend to draw a lot less media fire than apparently distasteful comments from the Left against hard targets. That's one of the threads that runs through the show and that people hopefully pick up on.
If I try to use human influence strategies and tactics of how to get other people to do what I want, to work better, to be more motivated, to like me and each other-while my character is fundamentally flawed, marked by duplicity and insincerity-then, in the long run, I cannot be successful. My duplicity will breed distrust, and everything I do-even using so-called good human relations techniques-will be perceived as manipulative.
I use three main tools in writing: instinct, hard work and dumb luck. Dumb luck is missing a train and, while you wait for the next one, writing a key word, line or verse. When this happens often enough you begin to believe in Fate.
We have to diversify, we have to find work we can do that helps other people while helping ourselves, work that has to do with writing that isn't necessarily just writing saleable novels or getting huge advances.
People on radio and television started making nasty comments about me and I felt awful. Turning from a teenager into a woman is hard enough without dealing with snide comments.
Writing is hard work. A clear sentence is no accident. Very few sentences come out right the first time, or even the third time. Remember this in moments of despair. If you find that writing is hard, it's because it is hard. It's one of the hardest things that people do
Don't help me or serve me, but let me see it once, because I need it. Don't work for my happiness, my brothers — show me yours — show me that it is possible — show me your achievement — and the knowledge will give me courage for mine.
Writing, even though it's hard work, is really a joy when you get these characters to come alive. It's hard to trace where they come from. I can't say that I am sitting here one night at nine o'clock and that a character occurs to me. The magic for me happens at the typewriter.
While writing is a mystical process, it's also work. If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
Now, you'll hear people call here on my show claiming they used to be lib and they've changed their minds. That happens, but it happens naturally. It's not because I've focused on trying to persuade people. I think while it's a noble objective to try to help people to see things the right way, this is a different psychological collection of human beings, and they are walled off from anything that's not them.
When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre. I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet. Or the comments you'll get from a filmmaker about your performance are going to be very different. My writing workshop is about mixing it up, cross-pollinating, not only in genres but in occupations.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
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