A Quote by Donna Tartt

I've written only two novels, but they're both long ones, and they each took a decade to write. — © Donna Tartt
I've written only two novels, but they're both long ones, and they each took a decade to write.
I wrote my first two long novels and an anthology of short narratives, when I was a manager of my own jazz bar. There was not enough time to write and I didn't know how to write novels. Therefore, I made written collages of aphorisms and rags.
Writing is my number one passion. I've written two novels. I've written a screenplay. I also write short stories and poetry.
I do write, but for now I am keeping it all in the desk drawer. I have always written. The only book that I have published was "Revolution," during the election campaign, a book that contains both personal and political chapters. I have never been happy with what I have written, including three novels that, from my point of view, are incomplete.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
my crime books are actually novels and are written as such. One might even say that each one is really two novels, one of which is the story I tell the reader, and the other the buried story I know and let slip now and then into a clue to whet the reader's interest.
I'm disappointed by well-written novels that only deal with two or three people.
My first published novel, 'American Rust,' took three and a half years of full-time work to write. But I wrote two apprentice novels before that.
My first published novel, American Rust, took three and a half years of full-time work to write. But I wrote two apprentice novels before that.
Robert Mapplethorpe asked me to write our story the day before he died. I had never written a book of nonfiction, and so it took me almost two decades to write that book.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
I can't change the past, and I don't think I would. I don't expect to be understood. I like what I've written, the stories and two novels. If I had to give up what I've written in order to be clear of this disease, I wouldn't do it.
At the same time that you've got to open yourself up to the fact that experience is going to teach you year after year, decade after decade. I remember I very badly wanted to write a newspaper column when I was only 21 years old, and I went to my editor and told him that, and he said, "You're a really good writer, but you haven't lived long enough to be qualified to live out loud."
I had wanted to write English crime novels based on the American hard-boiled style, and for the first two novels about Brixton, the critics didn't actually know I was Irish.
Well, I hate it when authors come into a school and they say to kids, 'Write from your heart, only write what you know, and write from your heart.' I hate that because it's useless. I've written over 300 books - not one was written from my heart. Not one. They were all written for an audience, they were all written to entertain a certain audience.
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
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