A Quote by Donnie Fritts
I was writing for a publishing company in this old building right next to the RCA Victor Studio in Nashville. We were on the top floor, and Combine Music was on the bottom floor. I was friends with all those guys.
Related Quotes
I got my first job the old-fashioned way: I took an elevator to the top floor of many buildings and walked down floor by floor on the stairs going into every firm and asking the receptionist if she knew of any jobs available.
If you go in RCA A, you'll realize that it's not just a Nashville thing. It's a studio that belongs to music.
I was a staff songwriter for Combine Music Publishing in Nashville for seven years. I'd sit around with a groups of friends with a Yamaha piano and a tape recorder and crank out songs.
When I get old, I'm going to the old folks' home. I don't want to be one of those guys who's hanging around the house bothering the kids. But not just any old folks' home. I want the whole top floor.
You don't have to be the greatest of friends off the floor. But on the floor you have to be able to play without any kind of hesitation for all your teammates. Whether you like the guy or not, you can still do what's right.
It's as if my left heel is my bass drum and my right heel is the floor tom-tom. I can get snare out of my right toe by not putting it down on the floor hard, and, if I want cymbals, I land flat on both feet, full strength on the floor.
I'd think the house was the source of great sadness or pressure. I knew it wasn't. I knew it was just where I lived. But I'd walk up the stairs and the second floor was just desolate. My old bedroom: empty. My old rehearsal room: empty. First floor studio: messy and empty. Middle room: broken gear everywhere.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
When you are on the floor, there's no better feeling than when your teammates are into the game on the bench and are cheering for you and vice versa. When you come out of the game, you are cheering for those guys that are on the floor.
'Band Played On' is a good one. Barbara Orbison, who was Roy's wife, was involved in publishing in Nashville because she oversaw Roy's publishing, and she had a company in Nashville. She had a whole bunch of writers assembled, and they got together every day and wrote, and they write for everybody in Nashville.
I'm feeling like I can stay on the floor for a while. I can run the floor. I can fight in the post with guys. I can rebound.
I used to play my records aloud until one night my mother was like, "This is too loud. I'm not having it," and so I put on headphones. But the headphones didn't stretch all the way to my bed from the record player, so I had to sleep on the floor in order to hear the records. I slept on the floor right next to the record player until I was probably 19 years old.
Next time your lady leaves the room, take a dump on the floor! 'Cuz there is nothing more mysterious than a dump on the floor! And it always starts a conversation, am I right? Honey, what happened? You better hold me 'cause I'm afraid.
I paint very directly. I go from top to bottom. When I get to the floor, the painting is finished.
Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.
When it comes to the younger generation, anything on the floor I'll criticize - not playing hard, not doing this, fighting, not giving your all. Off the floor, you guys are on your own.
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