A Quote by Donnie Wahlberg
I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot
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I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot.
I don't really want to start my career again, and I don't like Hollywood. If it had happened to me when I was young, yes, I'd be there like a shot, but I wouldn't like to go there and hang out and go to auditions at my age.
It's always uneven, love; it's unbalanced and it's obviously even worse when it comes to someone wanting to part from someone who isn't willing to. It's often feeling hurt that you've never felt before and you want somebody else to feel that pain and also not wanting to let go, because when you let go you've got to start living your life again and it consumes people.
People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone's vision, because in the end, that's what you got: your clay in someone else's hands.
And I was victim to that very early in my career, where I would go into auditions, and I'd be wearing a big T shirt, a big baggy T shirt and loose jeans. You know, to try and show people that there was more to me than just that.
To be honest, my time at Dortmund wasn't a big success. I didn't settle well at the club and eventually moved on to Sevilla. But I am forever grateful about it because it gave me the opportunity to work with Jurgen Klopp. If I didn't go to Germany, I would never have had a chance to work with him.
The look he gave me...My stomach quivered in that exact same way when I watched Before Sunset, yearning for a guy to know me so deeply and truly, we were only really complete when we were together. That I could talk, go on wild tangents, make obtuse references, and he would divine my meaning before I knew what I was trying to say myself. Erik had fallen asleep next to me on the couch, complaining later that the movie was "just people talking." He had no idea that this movie could have been a love letter written for me.
In my kind of reporting work, you don't parachute in after some big, terrible event, which is important and has to be covered, but offers only a glimpse. It's the kind of work in which you ask, what is my understanding of how the world works, and where can I go to see these questions get worked out in individuals' lives? That was really the question for me: whether I had anything to add to what had already been written.
There was a time when I was in the South, singing, and someone came to me before the show and said, 'There's been a threat on your life. Someone had phoned in and said they were going to shoot you if you go on stage.' I was singing 'Chances Are,' and I kept moving so they wouldn't have a shot at me.
Big dress, cocktails, party - I love that. It is my work, but my work allow me to have glamour, to wear beautiful and amazing dresses, to go to big ceremonies.
My stylist told me Chanel wanted to dress me for the 'Stranger Things' premiere. It was such a big deal for me, knowing that Chanel wanted to work with me and that I was gonna go to one of my first big red carpets wearing Chanel. That was such a huge moment for me.
To me, I approach a small-budget, artsy, European movie the same way as a big commercial Hollywood movie. That's the most important thing. Hollywood usually represents this big dream in people's minds, but to me, it's just hard work.
I could have stopped it after they paid me the $50,000. I wouldn't even have had to go on to do more than I already had: just the double agents' names that I gave.
Can't do any work with a rock star; you have to go through their lawyers and their agents and their managers and you have to book them hotel rooms. When you work with your friends, you just call them up and they come over and you record and then you go out to see a movie.
What happened to society? I go into business, I don't make it, I go bankrupt. I've been on food stamps and welfare, did anybody help me out? No. No. They gave me hope, they gave me encouragement, and they gave me a vision.
Before I moved here, I had no desire to become a dancer. But when I saw the dance schools in the city and the massive opportunities, I decided to give it a shot. Mumbai being a land of unlimited possibilities gave me the confidence to go for it.
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